ROADSHOW TRAILERS VOL. 1 (199?) ***

Here’s a Something Weird compilation of trailers for movies that could only be shown as roadshow attractions.  These are films that tackled taboo (for the time) subject matter like sex and drugs.  Because of that, “respectable” theaters wouldn’t touch them.  Most of these were “scare” films meant to “educate” the moviegoing public, but nine times out of ten they were just good old-fashioned exploitation.  Producers would also throw in a lot of ballyhoo and sell pamphlets that pertained to whatever scandalous topic the picture claimed to warn against to further increase profits. 

Some of the topics and subgenres that are covered include drug scare pictures like Hopped-Up (starring Timothy Farrell), Devil’s Harvest, and Assassin of Youth.  “Family” pictures are represented by the likes of Test Tube Babies, Mom and Dad, and Tomorrow’s Children.  Then of course, there’s salacious “Adults Only” sexploitation such as The Flesh Merchant, Slaves in Bondage, and Child Bride.  There is also a heavy concentration of jungle pictures (most of which rely on native nudity as a selling point) like The Virgin Goddess, Mau Mau!, and The Gorilla Woman, and Burlesque features including A Virgin in Hollywood, Vegas Nights, and Woman’s a Fool (an all-black cast effort).  Ed Wood is also well-represented as we also get previews for Jail Bait, I Changed My Sex (AKA:  Glen or Glenda?), The Violent Years, and The Sinister Urge. 

The highlights come courtesy of the coming attractions for The Lash of the Penitentes (which features some surprising nudity), Vanishing Gangsters (a documentary on real life gangsters), Nudist Life (which humorously misspells “Nudist Park” as “Nudest Park”), and producer Kroger Babb’s personal message about the godless Communists in Half-Way to Hell.  Along the way, there are some great taglines.  A few of my favorites include Marihuana (“Divulging heretofore unheard of orgies of youth’s dissipation!”), I Want a Baby (“Teen-age girls with speed to spare and rarin’ to go!”), Karamoja (“See men pay for their young brides with cattle!”), and Blonde Pickup (“Now at last!  Life in the raw!”).

Even though most of the movies featured here are from the ‘30s, ‘40s, and ‘50s, there is still plenty of nudity, jaw-dropping subject matter, and camp value here.  Even in two-minute trailer form, the films contain more T & A than the previews seen in today’s theaters.  Overall, it’s a fine sampling of the roadshow and scare picture genres.  It features many of the best-known films of the era and many deep cuts and rarities.  Fans of this sort of thing are sure to find plenty of obscure titles to add to their watchlist. 

The complete list of trailers is as follows:  Karamoja, The Virgin Goddess, Hopped-Up, Test Tube Babies, Youth Aflame, Gambling With Souls, Maniac, Lash of the Penitentes, A Virgin in Hollywood, Mau Mau!, Vegas Nights, Souls in Pawn, Bedroom Fantasy, Pin Down Girls, Buxom Beautease, Mom & Dad, Vanishing Gangsters, Karamoja (a slightly different trailer than the first), Peek-A-Boo, Unmarried Mothers, The ABC's of Love, The Art of Burlesque, Outrages of the Orient, Atrocities of Manila, B-Girl Rhapsody, Bagdad After Midnite, Hollywood Burlesque, Devil's Harvest, The Devil's Sleep, Nudist Life, Ding Dong, Halfway to Hell, Tomorrow's Children, Marihuana, The Flesh Merchant, Jail Bait, Malamu, Forbidden Adventure, Slaves in Bondage, Assassin of Youth, The Gorilla Woman, I Changed My Sex, Escort Girl, Child Bride, I Want a Baby, Tijuana After Midnite, Woman's A Fool, The Violent Years, The Sinister Urge, and The Legend of Bigger Thomas. 

CADE: THE TORTURED CROSSING (2023) * ½

Cade:  The Tortured Crossing is Neil Breen’s sequel to Twisted Pair.  This might be Breen at his Breeniest.  Although I loved Fateful Findings and enjoyed Twisted Pair, my resolve was severely tested with this one.  “Tortured” indeed. 

Breen returns as Cade, the superhuman hero.  He bestows a bunch of money to a hospital sight unseen and is horrified when he learns the place is a dump.  Even worse is the fact the doctors are performing illicit experiments on the patients.  Cade’s evil twin Cale (also Breen) assists the doctors by kidnapping homeless teens in exchange for drugs.  Cade then teaches the teens to fight and together, they take back the hospital. 

There is one scene that is so purely Breenian that it will make your head spin.  I’m tempted not to spoil it for you, but I feel it’s worth mentioning, if only to sort of get you interested, as much of the rest of the film is a slog.  This scene finds Breen walking through a green-screened meadow (99% of the movie uses greenscreen) where he runs into a poorly CGI white tiger and they proceed to fight.  Then, they become friends, and the tiger transforms into a hot babe with big boobs.  This scene is WTF bliss and deserves to be shown in any compilation of Z-grade bad movies.  This moment alone is worth at least One Star in my book. 

There’s another sequence that’s not quite as nutty, but it did make me laugh pretty good.  That was the impromptu dance scene with all the teenage patients.  That was good for a Half-Star.  These two admittedly goofy bits are the only bright spots in the film. 

Sadly, the rest of Cade:  The Tortured Crossing is a mess.  It’s nowhere near as fun as his previous work as the scenes with the patients get repetitive in a hurry.  Sure, there are some chuckles here and there (like when Breen repairs an SUV with his mind), but the awful dialogue and awkward editing just doesn’t quite have the same zest of his previous entries. 

The over-reliance on greenscreen work is mind boggling.  Instead of just finding a location and filming there, Breen just inserts himself and his cast onto stock photos he found on the internet.  Only a director like Neil Breen would do something like this.  Because of that, I guess you could call this technique “Breen screen”. 

CAPTAIN AMERICA: BRAVE NEW WORLD (2025) ***

General “Thunderbolt” Ross (Harrison Ford) is now President of the United States and offers Captain America (Anthony Mackie) an opportunity to restart The Avengers.  However, when an associate tries to assassinate Ross, Cap must get to the bottom of the attempt on the President’s life.  Meanwhile, the evil Leader (Tim Blake Nelson) has been manipulating Ross into turning into the rage-driven Red Hulk to show the world what a true monster he is. 

I enjoyed the Marvel show Falcon and the Winter Soldier, which had Falcon picking up the mantle of Captain America.  This big screen movie sequel feels more like a TV show than many of the recent Marvel pics.  The action scenes are decent enough I suppose, but they are a tad underwhelming for a big budget comic book movie.  While I probably would’ve been more disappointed if I saw it on the big screen, it looked fine at home on Disney+. 

As a fan of 2008’s The Incredible Hulk, I was intrigued to see all the stuff that was set up in that flick so long ago finally beginning to pay off.  It’s just kind of odd to see it happening in a Captain America movie.  The film also deals with the fallout from The Eternals (of all movies), which is kind of weird.  (The mention of adamantium also leads me to suspect they are starting to set up X-Men here too.)  Because of that, it felt less like an honest to God Captain American movie and more like Marvel tidying up their house a bit as they inch closer to another Avengers film.

This is kind of a disservice to Mackie, seeing as it’s his first solo shot as Cap.  The finale where Ross turns into Red Hulk is pretty good though and makes up for some of the film’s shortcomings.  You have to wonder if the symbolism of a black man trying to stop a President who has become a red monster from destroying the White House was accidental or intentional though. 

While the prospect of having Ford take over for the late William Hurt was promising, Ford seems grumpier than usual, especially when he’s supposed to be acting presidential.  Mackie is OK in the lead, but he’s just not given a whole lot here to work with.  Although he had an opportunity to properly flesh out his character on the Falcon show, he’s basically required to do little more than spout exposition and glower here.  Danny Ramirez, who plays the new Falcon, is pretty entertaining and brings some much-needed humor to the film.  Nelson is fun as Leader too, although it’s a shame they waited so long to utilize him. 

Marvel Cinematic Universe Scorecard: 

Spider-Man:  No Way Home:  ****

Avengers:  Age of Ultron:  ****

The Incredible Hulk:  ****

Iron Man:  ****

Thor:  Ragnarok:  ****

Avengers:  Endgame:  ****

Ant-Man and the Wasp:  ****

Spider-Man:  Homecoming:  ****

Iron Man 3:  ****

Captain America:  Civil War:  *** ½

Ant-Man:  *** ½

Guardians of the Galaxy:  *** ½

Guardians of the Galaxy Vol. 2:  *** ½ 

Avengers:  Infinity War:  *** ½

Werewolf by Night:  *** ½ 

Black Panther:  *** ½ 

The Avengers:  ***

Captain America:  The First Avenger:  ***

Captain America:  The Winter Soldier:  ***

Deadpool and Wolverine:  ***

Thor:  Love and Thunder:  ***

Doctor Strange in the Multiverse of Madness:  ***

Shang-Chi and the Legend of the Ten Rings:  ***

Captain Marvel:  ***

Spider-Man:  Far from Home:  ***

Thor:  ***

The Marvels:  ***

Captain America:  Brave New World:  ***

Guardians of the Galaxy Vol. 3:  ***

Thor:  The Dark World:  ***

Iron Man 2:  ***

Ant-Man and the Wasp:  Quantumania:  ** ½ 

Doctor Strange:  ** ½ 

Black Widow:  ** ½  

Black Panther:  Wakanda Forever:  **

The Guardians of the Galaxy Holiday Special:  **

Eternals:  * ½  

TWISTED PAIR (2018) ***

You get two Neil Breens for the price of one in the fitfully hilarious, but ultimately uneven grade Z Sci-Fi opus, Twisted Pair.  Breen stars as identical twins Cade and Cale who become humanoids and have superpowers.  Cade uses his gift to prevent “cyber and terror attacks” while Cale kidnaps and tortures crooked white collar criminals. 

For the first half hour or so, I thought this was going to surpass Breen’s manic WTF classic, Fateful Findings for sheer bad movie lunacy.  There were at least three times during that stretch where I actively doubted my sanity and mistrusted my own eyes.  The scenes of Breen walking in front of green screened backgrounds, leading troops into battle, and flying around like a half-assed superhero were 100% uncut Breen insanity.  The stuff with the evil Breen (yes, he has a poorly pasted-on goatee so you know he’s the bad twin) is good for some laughs too, as is the scenes with the villain (who looks like Michael Stipe cosplaying as Elton John with a Darth Vader voice).  Breen’s interaction with his wife is particularly mind-boggling as their first scene together requires them to do and say things that no two sane people who are supposed to be in love would ever do. 

In short, it’s your typical Neil Breen scene. 

Somewhere around the third act, the DIY charm begins to wear off and the inspired inanity starts to lose its luster.  Yes, the unexplained appearance of a Tinkerbell like fairy is batshit insane.  Yes, I laughed every time Breen said he was going to take down “Cooze’s Empire”.  However, the over-reliance on repeated scenes and fake looking explosions tend to feel like padding.  There’s a set-up for a sequel too that eats up some time, but of course, I intend to watch it ASAP.  

JAMES BANDE VS. O.S.SEX 69 (1986) ***

The KGB gathers together their best agents to kidnap secret agent James Bande (Gabrielle Pontello).  It’s not very difficult to find him since he always seems to be lounging around and banging broads.  The enemy agents then call on the services of “Dr. Dildo” (Marilyn Jess) and her merry band of Amazon warriors to set a trap for Bande. 

This in-name only sequel to James Bande 00 Sex starts off with a pretty good DP scene.  In fact, there is a heavy concentration on three-ways and anal action, so if you’re into that sort of thing you’ll probably enjoy it.  There’s definitely no shortage of fuck scenes to go around that’s for sure, and what they lack in eroticism, they make up for it in sheer quantity.  Many of the hardcore scenes take place outdoors in broad daylight (including a couple scenes on a boat), which helps gives the film a larger scope than the claustrophobic original. 

James Bande vs. O.S.Sex 69 feels a lot more professional than the original in just about every way.  The sex scenes are shot much better (there are no crew members shadows on the wall in this one) and it actually feels like a spy spoof, especially when compared to the hastily strung together antics of the first film.  Also, the plot makes a bit more sense this time around (even if much of it comes in the form of voiceover narration), although honestly, there’s only about 10% plot here and 90% fuck scenes.  For some (most) folks, that will be enough of a recommendation. 

I just wish Jess had more to do.  She doesn’t show up till the movie’s almost over and she only partakes in a poolside orgy.  Never mind the fact that she plays a character named “Dr. Dildo” who never once used a dildo, which is a little disappointing.  Oh well.  At any rate, it’s a vast improvement on the first movie all around.  Fans of Jess will enjoy her appearance (however briefly) and the unending string of hardcore scenes is enough to prevent you from getting bored. 

AKA:  Peep-Sex.

FATEFUL FINDINGS (2014) ****

Did James Nguyen’s Birdemic leave you in stitches?  Did Tommy Wiseau’s The Room drive you into hysterics?  Then folks, Neil Breen’s Fateful Findings is for you!  I can’t remember the last time I laughed so hard at… well… anything. 

A true Renaissance man, Breen, who looks like a freeze-dried Bob Dylan, wrote, produced, directed, and stars in this sucker.  He plays an author who is now “hacking into government secrets” to expose corruption.  One day, he is hit by a car and instantly gets better.  His doctor also happens to be his long-lost childhood friend who, as a child, was there when he discovered a mystical cube hidden inside of a mushroom.  When she is kidnapped, Neil uses his mystical powers to get her back. 

Like The Room, our main character is always right about everything and there is little to no drama as the plot conveniently bends to his whims.  When he finds his childhood friend, he wants to be with her, but he’s already married to a hot foreign babe.  No problem, because almost immediately, she commits suicide and now he is free to court his long-lost love. 

Speaking of suicide, the ending has to be seen to be believed.  Remember the end of On Deadly Ground where Steven Seagal gave that big political speech?  He’s got nothing on Neil Breen.  When Breen holds a press conference and exposes all the crooked fat cats, they take the stage, immediately apologize for all wrongdoing, and promptly off themselves, some right on stage and no one does anything.  Heck, Breen keeps right on talking!  Incredible. 

Speaking of suicide (yes, I know this is the second paragraph in a row that I have started with that phrase, but it is a running theme throughout the film), nothing, and I mean nothing can prepare you for Breen’s reaction when he finds out his friend has committed suicide.  Be prepared to rewind and rewatch this part over and over again.  It's pure comedy gold.

This is a vanity protect through and through, but it’s so spectacularly inept it’s guaranteed to make your jaw drop every ten minutes.  Dialogue scenes start with lots of yelling, then somehow everyone is all happy, only to start yelling at each other again in the next scene.  People are shown talking on the phone to persons unknown about God knows what.  Breen also gives us a lot of gratuitous nude scenes of himself.  Thankfully, he spares us the sight of his Breenis.  (Or maybe his Oscar Mayer Breener?) 

The motif of Breen trashing laptops is downright perplexing.  He has no less than four of them in his office, and none of them are ever turned on.  Whenever he gets mad, he tosses them to the ground in anger.  Try to keep a running tab of how many times it happens.  (He also types like someone with acute nerve damage to his hands.)  Also, this flick has the most random closeups of feet outside of a Doris Wishman movie. 

When you watch Fateful Findings, it becomes apparent Neil Breen, the writer couldn’t write a coherent scene if his life depended on it.  It’s obvious Neil Breen the actor, couldn’t act his way out of a paper bag.  And it’s painfully clear that Neil Breen, the director had no idea what the fuck he was doing behind the camera.  And you know what?  I wouldn’t have it any other way.  This is one of the funniest bad movies I’ve seen in a long, long time. 

GHOST NURSING (1982) ***

Jackie (Suit Li) is a hooker from China who moves in with her sister in Thailand.  Before long, she gets Jackie a job turning tricks out of a nightclub.  After witnessing a murder, Jackie becomes convinced she is jinxed.  She consults a mystic who confirms she is cursed by misdeeds from a previous life.  The only way to break the curse is to “adopt” a baby ghost, which means bring home a fetus, put it on an altar, and pray to it daily. 

What do you know?  It works.  And soon, anyone who messes with Jackie has something dreadful happen to them.  However, when she finds true love, our heroine becomes so busy she forgets to leave offerings to her ghost baby.  Naturally, the supernatural tyke sets out to make her new man’s life a living Hell.  He soon turns to his friend, a professor of the occult for help, which only makes things worse. 

The scenes where the ghost protects Jackie from lecherous men are fun.  It makes one perv slip on a banana peel like a goddamn cartoon character.  Another dude pukes maggots.  Then, a gangster rapist gets killed by his own zombie henchmen.  Even with all this zaniness going on, the biggest laugh comes during a long nightclub scene where a lounge singer does a thoroughly mid version of Whitney Houston’s “The Greatest Love of All”. 

Ghost Nursing isn’t perfect by a long shot.  The scene with the mystic performing a ritual on a (real) dead monkey was a bit unnecessary.  There’s also way too much slow motion in the third act and it suffers from an abrupt ending too.  However, if you know what to expect from these anything-goes types of Chinese horror movies, you’ll probably enjoy it as much as I did.  The electronic heavy score is quite good too and sounds like Goblin in some places. 

Besides, Ghost Nursing features some shit I’ve never seen in a movie before, so for that, it gets a gold star.  I mean, if you ever wanted to see an exorcism performed on a fetus, then this is your movie.  If you’ve ever had a hankering to watch a crucifixion with a pair of flip flops, then move this to the front of your queue.  Trust me, you’ll be glad you did.