Tuesday, August 16, 2022

AMERICAN BOY: A PROFILE OF – STEVEN PRINCE (1978) **

Director Martin Scorsese was friends with actor Steven Prince and cast him in the small but memorable role of the gun salesman in Taxi Driver.  A year later, he caught back up with Prince for this short documentary about his life.  At a mutual friend’s house, they sit on a couch as Prince spins yarns about his family, work, and (mostly) drug use while Scorsese’s camera rolls.

This must’ve been fun for Scorsese as the movie is essentially a filmed get together with friends shooting the shit and telling stories.  The audience, however, may be underwhelmed as Prince’s anecdotes are hit-and-miss to say the least.  They run the gamut of funny, to sad, to just plain bizarre.  He’s a gifted storyteller to be sure, but it’s ultimately more satisfying for Scorsese and his buddies than for the audience.  

The fact that many of his stories eventually circle back around to his drug use is what kind makes it a chore to sit through.  If you were at a party with Prince, one or two of these tales would probably be about all you could take before you had to excuse yourself to get a drink.  Since this is a movie, you’re pretty much forced to sit there and listen to him yammer on and on.  Even though the picture clocks in at a scant fifty-five minutes, it often feels much longer thanks to its repetitive nature.

I’m a die-hard Scorsese fan, but for me, American Boy:  A Profile of – Steven Prince is one of his slightest and least interesting works.  However, it’s still of note, if only because one of Prince’s stories about administering an adrenaline shot to an overdosed junkie was later dramatized by Quentin Tarantino in Pulp Fiction.  Other than that, it’s not very memorable.  

Scorsese caught up with Prince thirty years later for the sequel, American Prince.

AKA:  American Boy.

QUEEN OF THE DESERT (2017) ** ½

Werner Herzog’s Queen of the Desert tells the true-life story of Gertrude Bell (Nicole Kidman), writer, explorer, and adventurer.  After the tragic death of her fiancĂ© (James Franco), Gertrude travels to the Middle East to find herself.  Upon returning home, the naturally restless and curious Bell time and again returns to the desert for more misadventures.  

Queen of the Desert will never be mistaken for one of Herzog’s best.  Although it follows the same themes as a lot of his work (namely a prim and proper person traipsing through a harsh landscape), it’s just too laid back and prosaic to really knock your socks off.  Most of Herzog’s lead characters are obsessed, mad, or obsessed to the point of madness.  Bell is basically just a headstrong woman following her own star.  Because of that, the film doesn’t cast the same spell as Herzog’s most memorable work.  

That said, even when he’s having an off day, Herzog is still pretty good.  The film remains watchable, even if it stops short of being completely captivating.  Part of that has to do with the pacing, which is episodic to a fault.  Bell will have some kind of personal setback, go out into the desert, find herself, return home, and then head on back out into the desert again.  Luckily, these passages are entertaining more often than not.

It helps that the performances are solid.  Kidman makes an ideal leading lady for this sort of thing.  The character is equal parts high society debutante and well-traveled explorer, and Kidman does a fine job essaying both aspects of the character.  Robert Pattinson is particularly amusing as Lawrence of Arabia, who lends Bell a hand on one of her adventures.  Damien Lewis is also quite good as the reserved married man who carries a torch for Bell.  Only Franco feels out of place playing the downtrodden, doomed fiancĂ©.