A
racist police captain (William Smith) and a detective named Kilpatrick (Addison
Randall) lead a white supremacist group that go around killing minorities. They kill two jailbirds who were on the
straight and narrow and make it look like a drug deal gone bad. Jake (Blake Bahner from Wizards of the Demon
Sword), their parole officer, investigates the murders and uncovers the extent
of the supremacists’ operation. When
Kilpatrick murders his wife, Jake goes out for revenge.
Even
though he gets top billing, William Smith mostly sits at a desk, eats Chinese
food, and barks out orders. Hell, he
doesn’t even stand up until about an hour into the movie. (He never figures out a way to get out from
behind that desk though.) So, if you’re
watching Deadly Breed thinking it’s going to be a William Smit vehicle, you’re
going to be sorely disappointed.
Deadly
Breed starts out promising enough with Bahner tracking down the white
supremacist cops. If writer/director
Charles T. (3 Ninjas Kick Back) Kanganis explored this aspect further, he
could’ve made a real statement about racism and the police. Instead, he drops all that about halfway
through when the bad guys decide to go after Bahner. Then, it merely becomes about his own
personal survival and revenge.
I
guess that would’ve been okay if the action was any damn good. The finale is particularly weak. Bahner just sort of sneaks into the
supremacists’ compound and starts chucking dynamite around. His final confrontation with Randall is a bit
of a letdown too, and the ending with Smith is awkwardly edited. It almost looks like they ran out of money
(or time) and couldn’t film Smith’s death scene, so they just did a freeze
frame of his face accompanied by the sound of a gunshot before fading to
black. Lame.
One
sequence deserves special mention though.
Early on, there’s a montage of minorities being killed by the
supremacists while Randall plays the organ shirtless. The juxtaposition of murder and a beefy,
sweaty guy pounding out classical music will make your jaw drop. If only Kanganis peppered the rest of the
movie with more oddball touches like this, it could’ve really been something.
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