Sunday, July 21, 2019

SHOWDOWN IN MANILA (2018) ***


DTV action legend Mark Dacascos makes his directorial debut with this fun flick that at times feels like a spiritual sequel to the iconic Showdown in Little Tokyo.  I’m not saying that just because it has Tia Carrere and Cary Hiroyuki-Tagawa in prominent roles either.  Like Little Tokyo, the banter between the two leads, Alexander Nevsky and Casper Van Dien is offbeat, quirky, and is often very funny.  Casper gets a lot of laughs as the sex addict private detective and Nevsky makes for a likeable and capable leading man.  It’s nowhere near as good as that classic, but it’s a largely entertaining DTV shoot ‘em up.

Tia watches in horror as her husband (played by Dacascos in an extended cameo) is killed in broad daylight by the evil Hiroyuki-Tagawa.  She then hires a pair of private detectives (Nevsky and Van Dien) to find her husband’s killer.  That’s easier said than done since Hiroyuki-Tagawa is a legendary “ghost” who only shows his face when he’s about to kill someone.  Since Nevsky has a score to settle with Hiroyuki-Tagawa, it gives him extra incentive to bring him down.

If the film was nothing more than Nevsky and Van Dien hunting Hiroyuki-Tagawa down, Showdown in Manila would’ve been a blast.  However, the last half hour turns into a B-level version of The Expendables as Nevsky gets his old crew together to track down his arch-nemesis.  The team includes such DTV luminaries as Olivier Gruner, Don “The Dragon” Wilson, and Cynthia Rothrock!  Not only that, but we also have Matthias Hues as Hiroyuki-Tagawa’s slimy henchmen.  Rothrock’s character is particularly hilarious as she wears camouflage fatigues in the jungle, yet has her hair is dyed purple, which you’d think would give her away to the enemy.  However, she’s so badass that she probably doesn’t care since she’s more than capable of taking care of herself. 

As a director, Dacascos has a no-frills style, but there’s lots of action, so it’s hard to really complain.  Even though the pacing gets kind of pokey at times, seeing this gang of familiar faces gathered in one place is just plain fun.  Maybe when they do the sequel, the team can have more screen time together. 

Screenwriter Craig Hamann (who collaborated with Quentin Tarantino on the unfinished My Best Friend’s Birthday in his salad days) also directed the Dacascos flick Boogie Boy.  

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