I have had this on my DVR since June
2, 2017 when it aired on Turner Classic Movies.
It tells the tale of Rasputin (Christopher Lee), the drunken, psychotic
sociopath who just so happens to be a priest.
After using his mystical healing powers to save an innkeeper’s wife, he
trades on his “good” deed by running up a huge bar tab and trying to make time
with their daughter. When her fiancé
tries to intervene, Rasputin cuts his hand off for meddling in his
affairs. Rasputin is eventually run out
of the place and he heads to the capital where he sets his sights on
infiltrating the czar’s inner circle through deceit, manipulation, and
mesmerism.
Rasputin the Mad Monk was made by Hammer Studios and stars one of their most legendary actors. Even though it is by and large a historical drama, it is more or less staged like their average horror offering, which is okay by me. As a costume drama, it kind of falters whenever Lee isn’t on screen.
Oh, but when Lee is on screen—LOOK OUT! In a career of exciting, scary, and intense performances, this has to rank among his best. He simply commands the screen, dominating all those around him and reducing them far into the background. With his burning eyes, towering posture, and giant hands, Lee makes for an intimidating figure. He is clearly relishing his over the top role and sometimes slips into near-Nicolas Cage levels of scenery chewing.
The film’s first act is its strongest when we see Rasputin preying on the weak and unfortunate. Once he worms his way into the czar’s court, it begins to lose a bit of its edge, if only because it was a lot more fun when Rasputin was acting like a goddamn wild man instead of trying to put on an air of respectability. Things heat up for the finale though as director Don (The Curse of the Fly) Sharp is able to stick the landing with panache. Sure, it may not technically be a horror movie, but there’s enough acid-throwing, poisoning, and (literal) backstabbing in the last ten minutes to live up to the Hammer brand.
AKA: Rasputin.