Danny Boyle’s Sunshine
is like Solaris and Alien minus the cinematic flair of Solaris or the alien of
Alien. It does have the glacial pacing
of Solaris, though. Unfortunately that’s
all it’s got.
The sun is dying. The spaceship, Icarus I went up to restart
the sun and failed. So the crew of
Icarus II follows in their footsteps to complete the job.
They also waste a good
cast in the process. Cillian Murphy,
Chris Evans, Michelle Yeoh, Rose Byrne, and Cliff Curtis are given virtually
nothing worthwhile to do. Of the cast,
Evans comes off as the most likeable (I liked the scene where he is forced to
apologize to Murphy), but everyone else pretty much blends in with the
futuristic wallpaper.
Sunshine has a slow
burn type of build-up. As their flight
goes on, the crew deals with one mishap or another. Fire, lack of oxygen, and a crew member going
mental are all perils they wind up facing.
None of them are particularly involving or scary.
Boyle’s pacing is
painful. Even though the fate of the
Earth is on the line, it all seems rather dull and boring. There’s no real drive here and the whole
thing just feels inert and uninteresting.
At times Sunshine feels
like a Syfy Movie with better actors.
Boyle handles what action there is in such an indifferent manner that
it’s hard to be engaged. The characters
are so flatly written that it’s hard to care about them or their many perils.
Things get odd in the
last act when the movie ditches the whole slow, thoughtful approach for a
straight-up horror film angle. It’s here
where a crazed, naked crew member goes nuts and starts slashing people up. This idea might’ve worked if it was played
out throughout the flick. Having it
tacked on in the last half hour just makes it feel like it came out of an
entirely different picture. The blurry,
quick-cutting editing of the killer’s actions is also quite headache-inducing.
Basically, two hours of
darkness would’ve been preferable to 107 minutes of Sunshine.
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