Son
(Michael Shannon) gets word his estranged father has passed away. His father long abandoned him and his two
brothers Boy (Douglas Ligon) and Kid (Barlow Jacobs), so he pays his respects
the only way he knows how: Crashing the
funeral and spitting on his father’s casket.
This greatly upsets his dad’s “new” family of hotheaded trigger-happy
sons, lighting the fuse of a full-scale feud.
The retaliations escalate on both sides, ultimately ending in murder.
Shotgun
Stories is Jeff (Take Shelter) Nichols’ directorial debut and it’s a quietly
powerful throwback to the early ‘90s independent cinema that favored oddball,
unique characters populating small, intimate storylines. Most directors would’ve hitched their wagon
to the revenge-driven plotline. Nichols
is more concerned how a lifetime of strife, bad blood, and hostility has broken
a family down over time. I especially
liked the way that he peppers the film with occasional bits with weirdo locals
like the one-eyed “Shampoo” (G. Alan Wilkins).
Because of that, this is the only movie I can think of that brought to mind both Death Wish and Napoleon Dynamite in the same breath. It hits some very familiar beats while simultaneously
feeling exhilaratingly fresh and unique.
Shannnon’s
brooding performance anchors the movie.
The economical use of dialogue between the brothers is important, because
often what’s not being said between them is just as crucial as what’s spoken
aloud. Shannon makes each word count and
gives one of his greatest, most introspective performances. You have to feel for the brothers, not only because
of the bad hand life dealt them, but also because their father had the audacity
to name them Son, Kid, and Boy. If that alone
wasn’t enough to spark an all-out family feud, nothing would.
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