Thursday, January 30, 2020

THE BEASTS OF TERROR (1973) **


A pair of criminal lovebirds are on a joyride when they are abducted by the henchmen of a mad doctor and taken back to his lair.  There, he uses his captives for his zombification experiments and sells the female zombies into white slavery.  Since the police are powerless to stop these brutes, they call on everyone’s favorite Lucha Libre superstar, El Santo and his loyal sidekick Blue Demon to help crack the case. 

The set-up sounds ideal for an El Santo adventure.  A film that features a couple of thrill-killers, a mad doctor, and zombie sex slaves sounds like a recipe for success to me.  Unfortunately, El Santo and Blue Demon are more or less supporting players in this one.  In fact, it takes almost twenty minutes for either of them to finally show up, and even then, the duo spends nearly half the movie in their car, either on a stakeout or tailing the suspects.

While The Beasts of Terror boasts having three wrestling scenes, it’s rather disappointing as they are all much too brief to have any real impact.  (One is probably less than thirty seconds.)  There are also no musical numbers to be had, nor are their any dance routines.  Well, there’s a drunk girl who dances wildly twice.  I guess I should’ve said there’s no CHOREOGRAPHED dance routines.

The lack of El Santo and Blue Demon in this one gives me the feeling that this was an unrelated (possibly unreleased) movie that producers padded with newly shot footage of the two famed masked wrestlers.  I mean they never once make contact with the kidnap victims and when the tragic ending occurs, they just stand around off screen before shaking hands and getting in their cars and leaving.  You could’ve easily edited them out of the film, and it would’ve have affected the plot in any way.

The meat of the movie feels like a Mexican version of an American exploitation picture.  There’s a skeevy scene where one of the kidnap victims seduces the villain’s hunchback assistant to win her freedom.  Nothing is ever shown, but it’s probably the only real memorable moment in the whole flick.  The score is funkier than usual, which helps, but overall, The Beasts of Terror isn’t a terribly vital entry in the El Santo filmography.

AKA:  Santo and Blue Demon vs. the Beasts of Terror.

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