Lucky Number Slevin is
yet another one of those Tarantino knockoffs that somehow were still being made
long after their expiration date. This
one at least has Pulp Fiction’s Bruce Willis on board playing a soft-spoken
hitman named “Mr. Goodkat”. While it’s
good seeing Bruce alongside such name actors like Morgan Freeman and Ben
Kingsley, their talents largely go untapped.
This is one of those
crime comedies that feature hitmen, gangsters, and hoods that have names like “The
Boss” and “The Rabbi” and characters that make pop culture references during
casual conversation (Columbo, James Bond, and Hitchcock among them). Tarantino had a knack for making this kind of
stuff seem effortlessly hip. In director
Paul (Push) McGuigan’s hands, it seems forced and unfunny.
The film feels more
like a string of vignettes in search of a plot than anything. Some of them work better than others, but the
longwinded flashbacks that feature unnecessary slow motion are pretty annoying. The final plot twist is predictable, although
it might not have been so bad if it wasn’t for the constant back-and-forth with
all the flashbacks.
Star Josh Hartnett doesn’t
do a bad job when he’s just hanging around in a bath towel and trying to
convince everyone he isn’t a hitman.
When he’s actually called upon to do some assassinating, he’s rather
unconvincing. He does have a nice
rapport with Lucy Liu and their scenes together are easily the best thing about
the film. Their chemistry helps keep you
interested, even when the movie is contently spinning its wheels.
AKA: The Wrong Man. AKA:
Slevin.
I thought this film was pretty damn funny.
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