Monday, March 26, 2018

CHILDREN OF THE CORN: RUNAWAY (2018) **


Marci Miller stars as Ruth, a former child of the corn who got pregnant, burned down the cornfield, and left the town of Gatlin with her baby in tow.  Thirteen years of drifting from place to place go by and Ruth and her son (Jake Ryan Scott) wind up flat broke and stuck in a small hick town.  Ruth gets a job as a mechanic to make ends meet and soon starts having visions of corny kids everywhere.  She suspects the children of the corn have come after her son and she'll stop at nothing to keep him safe. 

I know it’s only March, but I think Marci Miller is a lock to win the award for Best Actress in a Shitty Dimension DTV Sequel.  The sign of a good actress and yes, even a star in the making is the ability to not only survive a bad movie, but to elevate the material.  Miller, who was equally impressive in Death Race 2050, makes an otherwise forgettable and lame entry in the long-running series watchable based on the strength of her acting alone.  There are times where she evokes Amy Steel in Friday the 13th 2, Linda Hamilton in Terminator 2, and Sissy Spacek in Carrie.  It’s unfortunate she’s trapped in a narrative that only allows her to have cliched mother-son dialogue scenes and mental breakdowns while experiencing bizarre visions.  Imagine what she could do with a script worthy of her talents.

Directed by John (Feast) Gulager and written by Joel Soisson (who also wrote the last entry in the series, Children of the Corn:  Genesis), Runaway doesn’t have the go-for-broke nuttiness Gulager usually brings to his films.  The script is weak, and the twist ending is predictable.  It almost feels like with one or two tweaks it could’ve been a standalone movie, which might’ve been for the best. 

Runaway is ninth in the Children of the Corn series (or tenth if you count the SYFY Channel remake).  As far as Dimension DTV sequels go, it’s better than your average DTV Hellraiser sequel.  Just don’t expect a lot of rampaging Corn Kids brandishing farm implements.  With measured expectations, you might even find it enjoyable.

All things considered, this is the best Children of the Corn movie in twenty years, although that’s not saying much.  99% of the credit has to go to Miller, whose performance is far and away the best thing about it.  I know one thing, I’d pay good money to see her in a DTV sequel to mother!

Gulager and Soisson previously teamed up for the much better Piranha 3DD.

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