Encounters
in the Deep gets off to a sluggish start with a longwinded narrator talking
endlessly about the Bermuda Triangle while lots of stock footage is shown. Finally, some glowing lights appear in the
water emitting a strange sound that makes people disappear. A distraught billionaire funds an expedition
to go to the Bermuda Triangle to find his missing daughter and gets more than
he bargained for along the way.
If
you can’t already guess by the title, they were going for a Close Encounters
riff on your typical Bermuda Triangle movie with a little bit of Peter Benchley’s
The Deep thrown in there for good measure.
It has a lot in common with the other Bermuda Triangle movie I saw this
week, The Bermuda Triangle. Both films
feature a creepy doll as a harbinger of doom, needlessly drawn out scuba diving
sequences, and long scenes of people sitting around on boats. Although it can’t boast the presence of Hugo
Stiglitz, there is a guy who LOOKS a lot like Hugo Stiglitz, so there’s
that. I can honestly say it’s only slightly
better than The Bermuda Triangle. Like
that film, it’s boring as shit, but at least with Encounters in the Deep there’s
annoying high-pitched ringing every time the aliens appear, which prevents you from
falling asleep.
Speaking
of aliens, they are good for a laugh although you’ve got to wait a long time to
finally get a look at them. I must give director
Tony (Night of the Sharks) Richmond props for recreating the ending of Close
Encounters on a shoestring budget. I admire
not only the brazenness in which Richmond unabashedly steals from Spielberg,
but also for the way he cannily manages to replicate his style. I’m not saying
it saves the movie or anything. It’s
just that he mimicked Spielberg’s style in this scene about as well as J.J. Abrams
did for the entirety of Super 8. For that
and that alone, I can’t completely hate it.
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