Jack
Deth (Tim Thomerson, who is only briefly seen in outtakes from the other
Trancers movies while on a video monitor) is once again “sent down the line”
back to the past (which is still the future to us). His consciousness winds up in the body of his
daughter (Zette Sullivan), a scientist who is studying the sudden appearance of
an alien meteor. Once getting acclimated
to his new body, Jack sets out to stop a plot cooked up by his daughter’s evil
boss who is using the meteor to spawn a new army of Trancers.
Seeing
Sullivan trying to talk tough and act like Thomerson is a soul-crushing
experience. The body swapping idea could’ve
worked, but she just isn’t convincing at playing Deth. Her monotone delivery is often slurred and
mumbled, which makes the already unfunny jokes fall flat. Since virtually the whole movie is about a man
trapped in a woman’s body, it’s shocking how little is actually done with the
concept. Even when they do try to
comment on the situation, it is handled so clumsily that it borders on
embarrassing.
It
also doesn’t help that the effects, acting, and cinematography are about on par
with a Witchcraft sequel. Strike
that. That’s an insult to the Witchcraft
sequels, which can be at least sporadically entertaining under the right
circumstances. The only good part comes
when Sullivan sticks test tubes into a Trancer’s eyes, but that nifty moment is
woefully short lived.
I’m
not sure how I survived the agonizing seventy-nine-minute running time, which
seemed at least triple that. I thought
some of the Trancers sequels were bad, but this one is such a mind-numbing bore
that I might have to retroactively add an extra Half Star to their reviews just
to give them some distance from this turd.
This one killed so many of my brain cells that I’m starting to think
I’ve become a Trancer myself.
AKA: Future Cop 6.
AKA: Trancers 6: Life After Deth.
I thought Zette was decent.
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