WATER’S EDGE (2004) * ½

Nathan Fillion and Chandra West star as a married couple grieving the loss of their daughter.  Looking for a fresh start, they go to live in his father’s old cabin out in the middle of nowhere.  While walking in the woods, Nathan stumbles upon a crooked cop (Daryl Shutterworth) about to murder a battered woman (Emmanuelle Vaugier).   He kills the cop in self-defense and brings her back to the cabin to convalesce.  Eventually, the couple learns the woman isn’t exactly who she claims to be.    

Written by Craig Brewer a few years before he made a name for himself directing Black Snake Moan, Water’s Edge starts slowly, allowing time for the characters to breathe and become fully developed.  Despite the well-intentioned opening, the film pretty much jumps off the rails once Vaugier’s character is introduced.  Though the set-up holds promise, there are just too many long stretches where nothing happens.  Just when it seems like the tension should be ratcheting up, the flick becomes even more slow moving and obvious.  The small-town conspiracy plot is laborious and the eventual twists involving stolen money, blackmail, and murder are surprisingly anti-captivating.  It also feels like a TV movie at several junctures, which doesn’t help.  

Fillion is normally charismatic and fun to watch, but he’s stuck playing a sad sack character without a whole lot of personality.  Likewise, West isn’t given much to do.  I wouldn’t mind seeing them paired again if the script was better.  Vaugier probably fares the worst, although she spends too much of the movie sleeping.  She’s also more convincing playing the frightened waif than she is portraying the conniving femme fatale side of her character.  

It’s sad when Daniel Baldwin steals the movie.  He shows up about halfway through playing the town’s crooked mayor.  Of course, even that twist is telegraphed from a mile away.  (How do we know he’s crooked?  By his evil looking goatee, that’s how!)