Monday, August 26, 2019

FUTURE WORLD (2018) * ½


James Franco has had an interesting career.  He went from starring on cult TV shows like Freaks and Geeks to appearing in big budget tentpoles like Spider-Man to showing up on soap operas like General Hospital.  As a director, he’s even more all over the place.  He’s directed documentaries, Lifetime movies, Oscar bait stuff, and… uh… this.  (Well, he co-directed it at any rate.)  Not only did Franco co-direct Future World, he also stars as the evil “Warlord”, who rides a motorcycle through the wasteland raping and terrorizing anyone unfortunate enough to survive the apocalypse.  

It’s a shame we don’t get as many of these post-apocalyptic movies like we used to.  After the success of Mad Max:  Fury Road I was hoping for a resurgence of the genre.  The star of The Bad Batch, one of the few recent post-apocalypse flicks, Suki Waterhouse co-stars as Ash, a top secret robo-babe Warlord finds in the desert.  He reprograms her not only to assassinate but be his personal concubine.  A wet behind the ears kid (Jeffrey Wahlberg) enters the wasteland looking for medicine for his dying mom (Lucy Liu) and is clearly no match for Warlord and his men.  Ash feels sorry for him, defies her programming, and helps him escape to “Drug Town” to find a cure for his mother.

The oddball cast is the only thing that really holds the picture together.  Franco gets a lot of mileage out of his shit-eating grin and general willingness to be unpleasant and sleazy.  Milla Jovovich is fun as the wild-eyed ruler of Drug Town who lords over a bunch of strung out junkies.  My favorite bit though was from Snoop Dogg who plays the owner of a strip club where the dancers wear electronic collars. 

Too bad Wahlberg makes for a terrible hero.  His anti-charisma helps to singlehandedly sink every scene he’s in.  Suki isn’t much better, but hey, she’s playing a robot, so I guess I can give her a free pass for not emoting.  

If there was some action here, it might not be so glaring, but the film just sort of spins its wheels for most of its running time.  What action we do get is rather weak and derivative.  For example, there’s a Thunderdome-type battle except that instead of taking place inside a badass metal arena, it’s nothing more than a drained, graffiti-laden swimming pool.  The big showdown between Franco and Jovovich is shockingly anticlimactic and the final confrontation between he and Waterhouse is somehow even worse.  

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