A rare species of snake bites Marlene Clark and
turns her into eternally young vixen. She then uses her new powers to get revenge on
the soldier (Vic Diaz) who raped her best friend. She seduces him and her venomous sex organs
causes his body to “rot”, which turns him into a bug-eyed hunchback imbecile. The awesomely named Joy Bang comes to the Philippines
to study the mythical snake and freaks out when she sees Diaz. Joy calls her boyfriend (Stan Duff) and he has
to fly all the way to Manila to keep her safe. While out and about, Stan gets bitten by the
snake and Clark nurses him back to health. Clark soon gets the hots for Joy’s man and
sets out to drive them apart. She commands
her trusty snake to kill Joy, but luckily Joy brought along her pet eagle to
defend her. Marlene eventually seduces Joy’s
boyfriend and her snake-ified snatch “sucks the years out of him”. To keep him from turning old, she runs around
seducing more men to extract the vital juices necessary to prolong his life.
Night of the Cobra Woman kind of plays like a grimy Pilipino
version of an old Universal jungle horror movie, complete with lap dissolve
transformation scenes. (Clark’s silly
painted-on snake eyes are good for a laugh.) It was produced by Roger Corman, who of course
threw a little skin in there just to keep things lively enough during the dull
stretches. The film is at its best
during the extended scenes of Clark going around banging dudes to keep Duff
young. Eventually, he comes running back
to Joy, much to her chagrin. Sure, some
parts of the film are kind of dull, but I promise you, the scene where Clark
catches him cheating on her while she’s in cobra form is priceless.
Joy is fun as clueless dolt who loses her man to the
snake goddess. Clark is sultry and
carries the movie through the rougher patches on her charisma alone. She also earns a place in movie history for
being the first actress to show some skin and SHED some skin in the same scene.
The best performance though comes from Diaz,
the Pilipino Brando. His antics are good
for a laugh, but the inappropriately whimsical music that plays when he’s hopping
around is hilarious. (It sounds like
something out of a Disney movie.)
Sure, Night of the Cobra Woman plods along during
some stretches, which makes the 76-minute running time feel a lot longer. However, other bits (like when Clark is
seducing her victims) are pure cheesy fun. I can’t quite recommend it, but this Cobra
Woman has its charms.
AKA: Cobra
Woman. Movini’s Venom.
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