Female
Convict Scorpion is director Joe Ma’s moderately entertaining, but
frustratingly uneven updating of the classic Female Prisoner Scorpion series. Anyone unfamiliar with the old films should
be able to accept and enjoy it at face value.
However, for die-hard Female Prisoner Scorpion (and Meiko Kaji) fans, it’s
a bit of a disappointment.
Nami
(Miki Mizuno) is forced into killing her boyfriend’s family in front of him and
is sent to a hellhole prison. There, she
is routinely beaten and degraded by the warden, not to mention the deranged
inmate Dieyou (Nana Natsume). She
eventually trains herself to fight, gains the upper hand, and is able to defeat
Dieyou and her minions. As punishment,
she is tortured and left for dead by the guards. Nami is eventually found in the woods and
nursed back to health by a Kung Fu teacher (an extended guest appearance by a
grizzled looking Simon Yam) who gives her the tools she needs to exact revenge
on the people who wronged her.
The
structure of the film is solid. The bare
bones for a terrific revenge thriller are there. However, Ma’s style often gets in the way of
the fun. He relies too heavily on a lot
of unnecessary cinematic gymnastics, and all the quick-cut editing, dissolves,
and slow motion (even during the simplest of scenes) detract from the overall
impact.
Ma
seems to take more inspiration from the revenge thrillers of the early aughts
than the grindhouse foundations of the original series. You can definitely feel the influence of
Oldboy and Kill Bill at work here (which is fitting since Kill Bill took so
much inspiration from the original Female Prisoner Scorpion films). It’s also a little lax when it comes to
delivering the goods on the traditional Women in Prison scenes. We don’t get any cavity searches or shower
scenes, but we do get to-the-death mud wrestling matches where the winner
receives a half-empty bottle of Jack Daniel’s, so that at least is novel. The ever-escalating shower fight between Nami
and Dieyou is a real showstopper too.
It's
hard to top Meiko Kaji from the original movies. (Likewise, the new version of Kaji’s classic
theme song, “Urami Bushi” isn’t a patch on Kaji’s version.) Mizuno doesn’t even try, which works to her
advantage. Whereas Kaji was brooding,
sexy, and savage, Mizuno is quieter, and more reserved. Although she suffers from comparison to Kaji,
Mizuno makes the role her own and her take on the character suits this new
version nicely. It was also fun seeing
‘70s Bruce Lee imitator Bruce (The Clones of Bruce Lee) Liang popping up as one
of the villain’s henchmen, who gets a solid swordfight with Mizuno on top of a
speeding truck. The bloodletting is
copious too, which certainly helps.
Some
of the fights feature excessive wirework, which makes some of the battles look
needlessly cartoony. The third act
subplot involving Nami’s boyfriend being hypnotized to forget his memories of
her, and their subsequent rekindled romance doesn’t really work either. Despite never reaching the heights of its
original inspiration, Female Convict Scorpion is nevertheless a decent (if
flawed) Kung Fu revenge saga.
Yam
gets the best line of the movie when he tells Mizuno: “This sword hasn’t tasted blood in a while. Feed it well.”
AKA: Sasori.
AKA: Prisoner 701: Sasori.
Mitch-
ReplyDeleteSorry to veer off-topic, but I couldn't find where to email you.
Hoping you could help me with a title I'm searching for.
Been searching high & low for an obscure 70s movie. (very possibly made for tv)
It was a murder mystery- I don’t remember who starred in it but I remember it was divided into segments and I believe at the end of each segment a character got killed, then the segment would close by showing a snake ( possibly a rattlesnake?) and the snake would have grown another head after each murder.
So, it was an American movie, done vignette style, & definitely no later than 1975, but guessing late 60s at the earliest. It *could've* been produced in either '74 or '75.
Ring a bell?
Thanks for any help!
Doesn't sound familiar. Sorry.
ReplyDeleteThanks anyway.
ReplyDeleteAny other outside sources I should turn to?