Of all the Neil Breen movies I have subjected myself to lately, this one is my favorite. It’s a perfect crystallization of his ideas, themes, motifs, fetishes, and cinematic wizardry. It’s also one of the funniest movies of all time.
What makes Breen’s films work is his absolute dedication to the piece. He believes everything he’s saying and the unabashed way he wears his heart on his sleeve while simultaneously falling short on a technical level is reminiscent of both Tom Laughlin’s Billy Jack pictures and Ed Wood’s best work. Whatever may be lacking in terms of plot, dialogue, editing, coherence, logic, and sanity, Breen’s message shines through and his passion is evident. Because of that, his movies are like a trip inside his mind. I am Here…. Now is simply a unique and unforgettable experience.
Breen stars as “The Being” who is kind of like Robo-Space-Jesus. He appears in the middle of the desert in a white robe and what looks like a computer motherboard glued to his chest. He becomes disgusted to learn humans are not using solar energy to its fullest and is repulsed by corrupt government officials and lawyers who are preventing the technology from reaching its fullest potential. (No, really.) He also tries to help two sisters who have lost their jobs at the solar energy plant and have turned to selling themselves on the streets to provide their family. (Represented by a rubber baby doll in a stroller.)
Speaking of baby dolls, the scene where Breen walks through the desert past several severed doll heads is legitimately cool looking and would make for a great album cover. The rest of the movie is about as unintentionally hilarious as they come. I had to stop and rewind scenes to relive the nonsensical story beats and jaw-dropping dialogue a second time. My favorite line comes when one of the sisters says she will hide her sex work from her boyfriend by saying, “I’ll tell him I got a part-time job at the mall!”
Breen’s rage at corruption in Washington is on full display here. I don’t want to spoil anything for you but as is the case in most of Breen’s work, the corrupt officials all get what’s coming to them. This time in biblical fashion.
I also loved the scenes where the Being punishes people for their wicked deeds. There’s a great bit with an old guy in a wheelchair (“Cancer chemo kicked my ass!”) gets knocked down by a passerby and Robo-Space-Jesus makes his eyeballs bleed. These moments have a real Billy Jack type feel to them. If Billy Jack was a partially robotic deity from outer space, that is.
I am Here… Now is Breen’s finest hour. It’s like a ‘70s Ron Ormond religious movie directed by Tommy Wiseau. You’ll laugh. You’ll cry. You’ll laugh so hard that you’ll cry again. In short, Neil Breen is Bad Movie Jesus and we all should worship him.
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