Wednesday, April 26, 2017

ERIK THE CONQUEROR (1963) **




I avoided this one for the longest time, mostly because I'm not a big fan of Italian peplum.  However, the combination of Mario Bava and Cameron Mitchell is tough to resist.  It’s not as good as their next collaboration, Blood and Black Lace, but it’s better than your average Italian Viking movie.  That’s not exactly saying much though.

The Vikings are betrayed by power-hungry English general and a battle ensues.  During the fracas, the two orphaned sons of the Viking king are separated.  Erik is found by the Queen of England and raised as her own.  Meanwhile, Eron is found by his own people.  When he becomes full grown, he becomes Cameron Mitchell and leads the Viking army into battle against England.  In the end, the two brothers (predictably) realize they’re flesh and blood and team up to fight the evil general.

Most of these Italian peplum movies look weird.  The color is always a bit off; almost as if someone’s been futzing with the color settings on your TV.  Since this is a Mario Bava picture, Erik the Viking looks beautiful.  The naval battles are atmospheric and Bava gives us a little of his patented horror imagery during an execution scene. 

The opening battle is pretty hardcore.  There's a particularly gnarly bit where a woman and her child get speared together.  After the solid start, things get kind of draggy and all the dance numbers, coronations, and romance shit don’t exactly help.  The third act has a few nice moments, like when Erik’s girlfriend is tortured with a spider.  It’s these little moments that make you wish Bava had injected a little more of his personality throughout the rest of the picture.

Mitchell does a good job here.  His performance is different than what you’d see in a lot of these movies.  With his broody swagger, he’s more James Dean than Steve Reeves.  He also has what has to be one of the longest death scenes in movie history, which is a perfect fit for his level of theatrics.

AKA:  The Invaders.

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