Jim
(writer/director Greydon Clark) returns home from Vietnam. His first order of business is to honor the
memory of his fallen soldier friend by going to Watts and deliver his last
letter home to his father. His brother Tom
(Tom Johnigarn) has become a black militant who calls himself “Makimba” and
wants no part of the white man and his war. The two butt heads on the topics of race and
Vietnam, and their confrontation draws the attention of two racist cops (played
by Aldo Ray and Jock Mahoney) who perpetually harass him. Blaming Jim for his problems with The Man,
Makimba decides to get payback on his perceived enemy.
Clark’s approach to the hot-button topics of race and Vietnam is earnest, but clunky. He tries to show both sides of racial inequality with uneven results. He even takes time to show that his own character isn’t exactly a good guy as he pushes away his fiancée (played by Clark’s wife Jaqulin Cole) for another woman (ill-fated sexploitation star Bambi Allen) and drinks heavily. He also paints the character as idealistic, but ultimately stupid as he wants Makimba to understand where he’s coming from but is too naive to take the hint that he’s not wanted.
Makimba
is equally stubborn as he refuses to accept help from Clark or his own father. Still, his actions are understandable,
especially once he’s been pushed so much by the cops. Naturally, it all ends tragically, accompanied
by a Martin Luther King, Jr. quote.
Clark certainly knows his way around the Blaxploitation genre. His next picture was the much better Black Shampoo, which was a lot more fun. Even though he’s trying to make a sensitive, thought-provoking picture, he still manages to deliver on the exploitation goods as there’s plenty of nudity on display. (In the film’s best scene, Makimba and his crew crash a ritzy white party and start skinny-dipping.) This was an honest attempt to make a message picture wrapped inside of exploitation trappings, but it’s never wholly successful. When it does work, you can see what Clark was trying to achieve. It’s not bad though, and it’s certainly ambitious. It’s just the cast (many of whom are amateurish) wasn’t quite skilled enough to bring it all together.
AKA: Tom.
AKA: The Brothers.
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