Tuesday, June 4, 2019
Saturday, May 25, 2019
LION STRIKE (1995) ** ½
Don
“The Dragon” Wilson returns as everyone’s favorite Kung Fu doctor Johnny Wu in
the third installment of the Ring of Fire franchise. This time out, an international crime
organization joins forces to sell nukes to terrorists. Naturally, through a set of dumb coincidences,
Johnny winds up in possession of a vital computer disc the gangsters need to
get their plans rolling. They then set
out to kill Wu and get the disc back. Can
a global conglomerate of mobsters stand a chance against a Kung Fu doctor?
The
best scene in the whole movie has nothing to do with the main plot. A surly biker gang barges into a busy ER room
and demands medical treatment. (One guy even
runs through the hallway on a motorcycle!) Don tells them to take a number and a brawl
ensues.
I
also liked his Kung Fu forest ranger love interest, played by Bobbie Phillips. Lion Strike maybe a dumb title because there
are no lions in it, but Phillips does rescue a cougar. There’s a hilarious moment when Wilson’s kid
sees it and says, “Nice cougar!”
Don
then looks at the camera and says, “I’ll Say!” I’m not an expert on colloquialisms,
but I think this might be the first use of the word “cougar” to mean a hot older
woman. If not, it’s certainly one of the
funniest.
Some
laughs can also be had from seeing various explosions and shootouts from other
PM movies acting as placeholders during the action sequences. These moments help give the illusion the
movie’s much more expensive than it really is.
However, after the silly and entertaining first act, things quickly become
more generic as it goes along. It pretty
much loses a lot of its nutty charm in the third act when it just becomes a
series of interchangeable scenes of Don Kung Fuing bad guys in the mountains. It somehow was more fun when he was getting
into unrelated action scenes and dodging stock footage from other movies.
Action
fans will enjoy seeing a pre-Spawn Michael Jai White popping up in a small
role.
AKA: Ring of Fire 3: Lion Strike.
Friday, May 24, 2019
STIFF COMPETITION (1984) ***
You
know all those movies about the underground kickboxing circuit? The ones where people gather in a dingy
garage or basement and bet on who will be left standing in a mano y mano Kung
Fu battle? The kind where a young fighter
gets plucked out of obscurity and works their way to a fight inside the ring
for a big money prize?
Well,
Stiff Competition is the first underground cocksucking tournament movie. Instead of two guys fighting, it’s a guy
standing there while a women races against the clock to see how fast she can
make the dude cum. In fact, it predates
many of those kickboxing films I was talking about, which in a way makes it a
trailblazer for not only one genre, but two.
When
a cocksucker quits in the middle of an underground “suck-off”, a young newcomer
named Tammy the Tongue (Gina Carrera) takes her place. Jeff (Kevin James) sees she has real talent
and coaches her to be the best dick-licker on the circuit. She quickly works her way up the ranks of the
cocksucker elite, which spells doom for the former pro Cynthia Silkthroat
(Cyndee Summers) and her attempted bid at a comeback. Eventually, they settle their differences in
the ring at the “Super Bowl of Suck-Offs” for a $50,000 cash prize.
Stiff
Competition has fun playing up the usual sports movie clichés, which is where a
majority of the amusement comes from. It
takes a lot of its cues from the Rocky series (there’s a dick-sucking montage
instead of a training montage) and the final match is rife with drama. It’s also kind of like The Hustler in that the
hero’s mentor takes them out on the road in preparation for the big match.
If
you’re mostly concerned with the XXX action, you may be dismayed by the heavy concentration
of oral scenes. (Unless that’s your
thing.) Director Paul (Bodacious Ta-Ta’s)
Vatelli, perhaps sensing his overreliance on oral, mixes things up by sticking
a great anal scene with Bridgette Monet smack dab in the middle of the flick.
Carrera
is kind of forgettable in the lead, but the supporting cast is amusing. We have Ron Jeremy who plays “Don Head”, the
promoter of the big Suck-Off, delivering another sleazy performance. John Leslie brings his typical intensity to
the role of Summers’ slimy manager, Jake the Snake. It’s also fun seeing Kitten Natividad turning
up for a nice little lesbian scene with Carrera.
A
sequel followed ten years later.
NIGHT OF THE SHARKS (1990) **
Night
of the Sharks was a late era entry in the first wave of the Killer Shark films
that were released in the wake of Jaws’ success. (It was made in Italy a year after Jaws the
Revenge and released in America two years later.) It was made at a time when the country’s
exploitation output was in a gradual state of decline. It’s not up to snuff with something like
Great White, but if you’re an undemanding fan of Italian shark movies, it’ll be
an OK way to kill 90 minutes.
Treat
Williams stars as a beach bum who is out to kill a one-eyed shark named
“Cyclops”. His brother gets mixed up
with some unsavory characters and comes to the beach to lay low. Naturally, the bad guys follow him and kill
him. It seems he was blackmailing some
pretty powerful people and was in possession of an incriminating disc. Treat winds up with the disc and soon, they
come after him too.
Let
me be honest. I’ll pretty much watch any
Blood in the Water movie. That of course
is any film that features a shark attacking someone as the waters slowly turn
red with blood. As far as these things go,
it’s tolerable, although it comes up way short in the exploitation department.
I’m
also a big Treat Williams fan. He’s fun
to watch and gives a charming performance.
His charisma shines through, even if it’s obvious he only took the job
so he could hang out on the beach all day.
There
are some amusing moments to be sure. I
liked the scene where the shark steals Treat’s boat, and the big bar fight
scene is kind of funny. I also enjoyed
seeing Antonio Fargas popping up as Treat’s right-hand man. I even got a chuckle out of the electronic
suspense music, which sounds less like a rip-off of John Williams’ Jaws theme
and more like music from the boss level of a video game. Italian exploitation vets John Steiner and
Chris Connelly also turn up, which fans of this sort of dreck will appreciate.
Sounds
like a walk on the beach doesn’t it? Well,
despite a fair amount of good points, Night of the Sharks (there’s only one
shark, by the way) just never works itself up into a frenzy. At one point, the movie forgets all about the
shark as it turns into your typical jungle actioner. After that, it just never recovers. It goes without saying that the scenes of blackmail,
political intrigue, and Treat tangling with assassins is far less entertaining
than the scenes of the shark eating people.
Treat
fared much better ten years later with another aquatic horror flick, Deep
Rising.
AKA: Jaws Attack.
Wednesday, May 22, 2019
JOHN WICK: CHAPTER 3: PARABELLUM (2019) ***
John
Wick: Chapter 2 ended on such a perfect
note that John Wick: Chapter 3 quickly
became one of my most anticipated movies. Who could forget when John Wick (Keanu Reeves)
broke the sacred rules of committing murder in the hitman hotel, thus declaring
open season on himself, allowing every hitman on the planet free reign to take
him out? It was an awesome set-up that
suggested all hell would break loose in Chapter 3. Other than a sterling opening twenty minutes
or so, this uneven, sometimes frustrating sequel never quite lives up to the
promise of its predecessor. However,
there are still enough moments of badassery here to keep fans of the series
happy.
Things
kick off with an excellent fight in a library as well as a tense scene set in a
doctor’s office. Then along comes a
sequence that will go down in history as one of the all-time greats. John Wick is chased by a gang of killers into
an antique weapons warehouse where they match wits in a hallway full of knives.
It is a jaw-dropping display of martial
arts choreography, action cinematography, and sheer kinetic filmmaking. I haven’t even brought up the horse
fight.
Then,
as the film enters its second act, it does the unthinkable. It gets boring. It’s almost as if the first flurry of non-stop
action winded the movie and it had to sit down and catch its breath. It eventually rights itself as the action in
the third act is frenzied and fun (though lacking the kick of the early
sequences), but that whole middle section of the flick is downright turgid.
I
always hate it when a movie feels like it’s making up its rules as it goes
along. I mean the second film ended with
everyone in the world gunning for John Wick. Then, all of a sudden, the flick is like, “Oh,
wait we lied. He’s got a Get Out of Jail
Free card he pulled out of a box of Crackerjacks.” Then when it feels like the action is about
to ramp up again, there’s a longwinded scene where Wick finagles his way out of
ANOTHER scenario by invoking inane obscure hitman bylaws at the last
minute. The original film’s
world-building was one of its most intriguing aspects. Here, it just seems like the screenwriters are
just pulling new “rules” out of their ass to keep the stuntmen on the
sidelines.
It
doesn’t help that the second act is chockful of scenes of brand-new characters
that bring absolutely nothing new to the table.
The scenes of Anjelica Huston, Halle Berry, and the terrible new villain
“The Adjudicator” (Asia Kate Dillon) are dull and stop the movie on a dime. In fact, it seems like Halle is only there to set
up her very own a spin-off as Reeves takes a backseat to her for a chunk of the
movie. Remember when they tried to pull
that shit with James Bond on Die Another Day?
It didn’t work out so good, did it?
I won’t even tell you about the shitty Lawrence of Arabia part.
Luckily,
the stagnant second act is redeemed once Mark Dacascos and his Ninja buddies
try to kill John Wick. There’s even an
extended cameo by one of my favorite badass Kung Fu stars that I wouldn’t dream
of spoiling. These fight scenes help to
solidify the film’s shakiness somewhat, even if they lack the breathlessness of
the opening moments.
The
ending sets things up for yet another sequel.
I can honestly say its not nearly as inspired as the previous
cliffhanger. Hopefully, the next Chapter
will be a bit of a course correction for the series, but if it has at least one
sequence as exhilarating as this one’s “Hall of Knives” fight, it’ll still be
worth watching.
AKA: John Wick 3:
Parabellum.
Sunday, May 19, 2019
X-TREME FIGHTER (2005) **
Don
“The Dragon” Wilson stars as a widowed martial arts instructor who’s growing
apart from his teenage son Brad (Dan Mayid).
Don’s dad (Aki Aleong) works in a computer lab perfecting virtual bad
guys for cop Lorenzo Lamas to practice shooting during computerized simulations. He turns the simulator into a video game
which he gives to Brad as a birthday present. When his virtual reality helmet short circuits,
Brad’s mind gets trapped inside the game. Don then straps in and sets out to find his
son before he becomes permanently trapped in the game.
The
set-up had a lot of potential. It could’ve
been Mortal Kombat Meets Tron. However,
X-Treme Fighter is just kinda cheap and cheesy.
The low-tech graphics in the video game are good for a chuckle (they
look like something out of a kid’s movie from the ‘90s), but some parts look
like they were filmed during a Kung Fu convention that Don and Cynthia just so
happened to attend. It also doesn’t help
that the video game fighters are mostly generic and unmemorable. The fights are also way too brief and suffer
from ho-hum choreography.
Even
though director Art (Half Past Dead 2) Camacho never really takes advantage of
the premise, X-Treme Fighter remains watchable due to the capable cast. I mean, how can I not watch a movie starring Don
“The Dragon” Wilson, Lorenzo Lamas (sporting one of his most impressive coifs
in his entire career), and Cynthia Rothrock (who pulls double duty as Wilson’s
love interest and the “White Dragon” video game fighter)? Don, Cynthia, and Lorenzo always remain
likeable even in the cheesiest of surroundings. I just wish Rothrock and Lamas had more to do (Lamas
literally bumps into Wilson at one point, which is about the extent of their
interaction) and that the fights were longer. (The final showdown ends abruptly.)
Still,
it’s hard to hate any action movie in which the actors are listed in the
credits alongside their Kung Fu credentials.
Seeing them listed with titles like “2nd Degree Black Belt”
and “Master of Kata” underneath their names put a smile on my face. I love shit like that.
AKA: Sci-Fighter.
AKA: Dragon Battle: Evolution.
Friday, May 17, 2019
SWORN TO JUSTICE (2001) ** ½
Cynthia
Rothrock (in a spunky, likeable performance) comes home to find her sister and
nephew murdered by burglars. She tries
to fight off the intruders, hits her head, and winds up getting… amnesia? NOPE!
An ordinary movie would use this plot device. Sworn to Justice is no ordinary movie. No, she actually hits her head and winds up
with… are you ready for this?
ESP!!!
She
then uses her new gifts to find her family’s killers. In the meantime, she dons a dark hoodie and goes
around like a pint-sized Punisher, beating up the various thieves, gang
members, and criminals that terrorize the city.
Eventually, her quest leads her to a ring of car thieves who have been
working with the help of a crooked cop (God Told Me To’s Tony Lo Bianco, who
acts like Ben Gazzara).
Sworn
to Justice is goofy as fuck. It suffers
from an uneven tone, but then again, that’s where many of the (unintentional)
laughs come from. In one scene, Cynthia
is mourning the death of her loved ones, and in the next, she’s getting into a goofy
fight scene that’s so corny and cartoonish that it would embarrass Jackie Chan. (There are birdie sound effects when she
punches a guy.)
The
supporting cast is fun. We have Star Trek’s
Walter Koenig who sports a terrible accent as Rothrock’s mentor. No Retreat, No Surrender’s Kurt McKinney also
turns up as Rothrock’s love interest.
Their Kung Fu courtship scene is downright nutty and predates the
similar scene in Daredevil by a few years.
Then there’s the one and only Mako as a blind newspaper vendor who dispenses
life-changing wisdom. Just when you
think it can’t get any better, Brad Dourif shows up for an extended cameo (acting
over the top as usual) as one of Cynthia’s attackers.
Parts
of this seem like it was edited with a machete and then put together with duct
tape. Some of the fight scenes are too
dark to see anything clearly too. If you
can get past that, you’re sure to agree there’s an undeniably quirky charm
about the whole thing that helps keeps it afloat. I can’t quite call it a “good” movie, but there’s
enough oddball touches here to make it memorable. I’m thinking specifically of when Cynthia
blows up the bad guy’s brother and he keeps the charred corpse around for
sentimental purposes. I mean, doesn’t
that alone kind of make you want to see it?
AKA: Female Justice.
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