Wednesday, October 11, 2017

NETFLIX AND KILL: HOUSE ON WILLOW STREET (2016) **


Sharni Vinson leads a team of kidnappers to snatch a young woman from her well-to-do family.  They kidnap her and take her to a dilapidated building where they begin making their ransom demands.  While doing so, the kidnappers slowly come to realize there is something different about their captive.  She seems to know their darkest secrets and later exhibits the power to project disturbing visions of their dead loved ones into their minds. 

The movie starts off with a bang.  The opening scenes of the kidnappers planning their crime run like clockwork, thanks to a strong performance by Vinson.  The strong set-up eventually gives way to repetitive scenes of characters seeing hallucinations of dead bodies/ghosts/zombies accompanied by high-pitched screaming, which is unfortunate.   

Ultimately, the movie plays with the audience’s expectations a bit too much.  They endlessly tease the kidnapped girl’s big secret, and once they finally reveal it, it’s pretty lame.  I won’t spoil it for you (although its alternate title does a good job of doing that), but I will say if they had just come out and said what was going on a half-hour earlier, the film had a much better potential of being fun.  As it is, the constant teasing wears on your patience.   

It doesn’t help that the long flashback sequence that explains everything is so damned dull.  This scene is filled with a lot of stupid “rules” concerning the girl’s condition that have to be laboriously explained to the audience by the characters.  Sometimes, the cinematography is so dark that it makes some scenes hard to make out, which is another major debit. 

For all its faults, the zombies do have a griminess about them that makes them feel like they came out of a Lucio Fulci movie.  That’s about the best thing I can say about them.  Too bad director Alastair Orr couldn’t think of a better way to use them more effectively. 

I liked Vinson in You’re Next, and she does a fine job here.  In fact, she’s the only one in the whole movie with any kind of screen presence.  Whenever she isn’t front and center, House on Willow Street really falters.   

AKA:  Demon Girl.  AKA:  Demon House on Willow Street.  AKA:  From a House on Willow Street.

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