Friday, October 6, 2017

NETFLIX AND KILL: LITTLE EVIL (2017) ***


Horror-comedies are a tricky thing.  If you can’t find the right tone, the comedy can overpower the horror.  Luckily, the writer and director of Little Evil, Eli Craig does a fine job juggling genres.  Having already directed the cult classic Tucker and Dale vs. Evil, he’s quickly become a pro at marrying the two genres and having fun with the usual horror clichés. 

Adam Scott just got married to the beautiful Evangeline Lilly and they seem like they’re going to have a perfect life together.  However, her son just so happens to be the Antichrist, which puts a damper on things.  She shrugs off his odd behavior (like using a goat puppet to talk), but it’s hard to ignore the fact that people have a habit of dying around him.  Teachers throw themselves out of windows and birthday clowns set themselves on fire.  Adam finds it increasingly difficult to get along with the kid, especially when he buries him alive in the backyard.    

The movie takes an unexpected turn about halfway through when Scott finds himself caring about the spawn of Satan, despite the death and destruction he causes.  I mean, he didn’t CHOOSE to be the Antichrist.  Maybe with a little love and guidance he’ll turn out okay. 

Adam Scott can do this sort of meek character in his sleep.  The film plays upon fears of stepfathers who are afraid of not measuring up to their stepchild's biological father.  I mean how can you measure up to Satan himself?  Scott is the perfect type of nice-guy underachiever that the role requires.   

Lilly is also a lot of fun as the mom who turns a blind eye to her son’s behavior.  We’ve all seen mothers who are in denial of their child’s actions.  Because of that, it’s funny seeing her have that same kind of detachment when she learns her son just buried his stepdad alive.  Lilly’s nonchalant revelation about the morbid circumstances around her son’s conception is one of the funniest bits in the movie.  (“I told you not to judge me!”)  Clancy Brown and Sally Field also do a fine job in their supporting roles. 

Craig takes a lot of visual cues from other movies.  There is a lot of stuff taken from The Omen, with a little Poltergeist thrown in there for good measure.  The general premise is slight and a bit predictable, but thanks to the clever writing and fun performances, it manages to very funny and completely charming.

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