Larry
Chin (Alan Tang) travels from China to San Francisco to find the man who killed
his wife. Along the way, he crosses
paths with a soul brother named Stud Brown (Timothy Brown) who’s being hassled
by a racist cop (Aldo Ray) who handcuffs them together. They give the cops (not to mention another
assorted crop of racist shitkickers) the slip, get the cuffs off, and decide to
work together to take down a local drug kingpin (James Hong).
East
Meets Watts is what you get when Al Adamson can’t make up his mind whether he
wants to make a Kung Fu movie or a Blaxploitation actioner. He splits the difference and tries to give
both genres his own unique spin. It’s
obvious that the Kung Fu sequences are much more competent. By “much more competent”, I mean they’re just
as crummy as your typical low budget ‘70s chopsocky flick. Still, there’s plenty of kicking, chopping,
and nunchuck twirling to keep your interest.
We also get at least one memorable death when Tang rips a guy’s scalp
off with his bare hands.
The
Blaxploitation elements are the weakest aspects of the movie, mostly because
Adamson films the action so poorly.
Simple shootouts and chase scenes are rendered nearly incomprehensible
thanks to the schizophrenic editing.
There’s also an unintentionally hilarious subplot involving a mute love
interest (played by Carol Speed from The Mack) that will leave you
howling.
The
scenes where our two heroes are cuffed together work well enough. You almost wish they had spent the whole
movie that way. Think a Kung Fu version
of The Defiant Ones. (The Defiant
Wongs?) However, whenever they split up
for their separate missions, the movie often spins its wheels. Despite its shortcomings, I find it hard to
completely dislike any film that features Aldo Ray AND James Hong, so it’s
still worth watching not only for die-hard Kung Fu and Blaxploitation fans, but for connoisseurs of cult movie stars as well.
AKA: Dynamite Brothers. AKA:
Killing of a Chinese Bookie.
AKA: Stud Brown. AKA:
Main Street Women. AKA: Dynamite Brown.
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