Thursday, January 22, 2026

PROFESSOR LUST (1967) ***

Professor Lust starts off like it’s going to be the sexploitation version of The Nutty Professor before going off into an entirely weird area all its own.  Strangely enough, it never really takes advantage of the Dr. Jekyll and Mr. Hyde theme inherent in the material either.  The fact that it doesn’t go where you’d assume just adds to the unpredictable nature of the film (and the fun).  If you’re in the mood for a perplexing and entertaining dose of WTF ‘60s sexploitation smut, it’ll be worth a look. 

One whiff of his secret formula turns a mild-mannered professor into an evil heroin-pushing kingpin who keeps a harem full of topless women in his cellar.  With the aid of his junkie sidekick, he’s perfected a drug that can make his ladies think that hideously deformed men are actually handsome and fuckable.  Oh, and he also uses the girls to star in the stag movies he makes on the side.  A prudish co-worker senses the professor is up to no good, so she follows him home and quickly falls victim to his evil ways. 

Professor Lust has a cool opening where the professor is on trial and tells his story to the jury (the audience) before heading into a flashback.  In another puzzling display of unpredictability, the film never circles back around to the courtroom again.  In fact, as far as I could tell, the professor never got arrested for his crimes since it ends with (spoilers) his henchman and his co-worker stealing his formula and taking over his operation! 

There’s another random sequence that doesn’t really go anywhere and similarly feels like it’s only there for padding purposes.  It involves men and women in Victorian era costumes participating in an orgy.  It doesn’t make a lot of sense, but if you have a thing for women in powdered wigs and/or in drag, it’ll be a moot point. 

So, overall, Professor Lust is an odd, sometimes frustrating, but always entertaining romp.  It never goes quite where you think it should, but by doing so, it makes for a memorable and unique viewing experience.  Director William Rose was also responsible for the minor classic Rent-a-Girl and The Smut Peddler, which is sadly lost. 

Our heroine’s rambunctious roommate gets the best line of the movie when talking about the titular character:  “He swings so far out, he makes Tarzan look like a cripple!” 

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