I
remember in the late ‘90s hearing that Tim Burton was going to make a Superman
movie based on The Death of Superman comics with Nicolas Cage as Superman and my brain just
melted. You have to remember, in those
days, our comic book movies were few and far between. They didn’t come out at a bi-monthly rate
like they do nowadays. Sadly, it was
never to be.
The
allure of what could’ve been is shown in tantalizing glimpses in director Jon
Schnepp’s The Death of “Superman Lives”:
What Happened? It is a
documentary in the vein of Jodorowsky’s Dune.
Many of the major players in the film including screenwriter Kevin Smith
(who reveals he stole the title from Fletch Lives), producer Jon Peters (who,
ever the producer, takes a call in the middle of the interview), and director Tim
Burton (who sometimes seems annoyed, but keeps his cool). We even get to see some parts of the film
revived via animation that integrates concept art and storyboards.
Unfortunately,
Cage is not interviewed, but his quotes during previously taped interviews make
it sound like he was approaching the character with respect while
simultaneously putting his own quirky spin on it. The archival footage of his costume fittings is
priceless. Although the much gossiped
about “healing suit” is kind of funky, it’s a revelation to hear that it would’ve
only taken up two minutes of screen time.
In fact, Cage actually looks badass with his long hair in the final
classic Superman get-up. His take on
Clark Kent would’ve been unique too. From
the footage here, he would’ve made Clark a bigger dork than he’s usually
portrayed, which could’ve been promising.
The
documentary itself, though a rather star-studded affair, feels a bit low
rent. The production values are a tad
below your average behind-the-scenes DVD bonus feature. Still, from an informational standpoint, any
Superman fan worth their salt should walk away happy.
Superman
Lives ultimately found life as Superman Returns. That film, for me, was a mild and forgettable
nostalgia fest that coasted heavily on what had come before. Even with the oddball demands that Peters
made to the script (like Brainiac fighting polar bears and Superman battling a
giant spider), with Burton at the helm and Cage in the suit, it would’ve (for
good or ill) at least been memorable and had its own identity.
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