When
we first see him, Joe (Joaquin Phoenix) is trying to asphyxiate himself with a
plastic bag. It is unclear if he is attempting to commit suicide or if it is merely an unorthodox coping mechanism to
alleviate stress. Throughout the course
of the film, we learn the reason for his behavior.
What
we learn about Joe mostly comes in fragmented glimpses. We see him at his job, which allows him to go
after child molesters with a ball-peen hammer, but that’s not really who he
is. Or is it? That’s one of the more fascinating questions
about the movie.
Joe
has almost crippling bouts of PTSD. He sometimes
talks when no one is there to listen.
With his unkept beard and hair, his brooding nature suggests he could
erupt in a firestorm of violence at any moment (which of course makes him a natural
fit for his job). We also see the tender
side of Joe as he cares for his ailing mother.
Even when he encounters the girls he helps to rescue, they seem more equipped
at dealing with trauma than he is.
Directed
by Lynne (We Need to Talk About Kevin) Ramsay, You Were Never Really Here sort
of plays out like a high rent version of a low rent exploitation item. (There are also moments here that echo Taxi
Driver and Oldboy.) What makes it stand
out from the rest of the pack is that Ramsay is as concerned with Phoenix’s
trauma as she is with telling her story.
She doesn’t skimp on the exploitation goods either as pedophiles are
bludgeoned, teeth are pulled from their roots, and throats are slashed. However, this is more about the legacy of
violence than the violent acts themselves.
Ramsay
has a stripped down, bare bones approach.
Even when the plot starts to take shape (Phoenix is hired by a Senator
to rescue his little girl, played by Ekaterina Samsonov), Ramsay continues with
her artistic approach, which winds up being quite rewarding in the end. For example, little scenes that would’ve been throwaway
moments in other movies mean something here.
Even if the film feels like its spinning its wheels, just hang in there
because it’s definitely heading somewhere.
You
Were Never Really Here is further proof Phoenix is one of the bravest actors of
his generation. He completely disappears
into his character and delivers another electrifying performance. His final moments
with Samsonov are powerful and their last dialogue exchange is particularly heart-wrenching.
AKA: A Beautiful Day.
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