After
watching Altitude as part of the Direct to Video Connoisseur Podcast, I decided
to take a chance on another latter-day Dolph Lundgren movie. Blood of Redemption had the makings for a good
one. First off, get a load of the fantastic
cast: Vinnie Jones, Billy Zane, Robert
Davi. Sounds right up my alley, doesn’t
it? While the ingredients for success
were there, the recipe left something to be desired.
Dolph
stars as Axel, the loyal bodyguard of a mobster family. The patriarch of the clan, Sergio (Robert
Miano) is about to retire, and he tries to convince his eldest son Quinn (Zane)
to do the same. When Sergio is
assassinated, it’s up to Axel to figure out who was behind the hit and get
revenge.
Blood
of Redemption commits a lot of the deadly sins that can sink a DTV actioner. First and foremost, it spreads its cast too thin. They don’t get much screen time together, and
when they do, it comes in small chunks. It
also relies far too heavily on narration in hopes to tying all those moments
together. In fact, it seems like Dolph’s
sole purpose in the early going is that of a human exposition dump as he
narrates the various flashbacks to get you up to speed on all the characters.
Speaking
of which, each time a new character is introduced, there’s a title card with
their name on it accompanied by a whooshing sound effect. This is one of my least favorite trends in
recent DTV movies and I sank a little more in my seat each time a new character
was introduced. Another irritating trend
in the DTV action world is the overreliance on painfully obvious CGI muzzle
flashes and bullet hits during the shootouts.
Blood of Redemption features a lot of them, and it’s enough to make you
wistful for the days of old-fashioned squibs.
It’s
not all bad though. There are occasional
glimpses of awesomeness here that help to make it endurable. As long as I’ve been watching these things, I never
would’ve guessed I’d see the day when Robert Davi and Vinnie Jones would play
father and son! (You even get to hear
Davi doing an English accent!) Zane and
Jones have good chemistry during a shady-deal-gone-wrong scene, enough to make
you wish they had more scenes together throughout the movie.
Dolph
has a quiet intensity that powers his scenes. Unfortunately, he spends way too much time in
a hotel room trying to put the pieces of the plot together. At least he gets to participate in the best
fight scene of the movie when he busts into a sex club and winds up brawling
with a karate-kicking dominatrix. Fleeting
moments like this almost redeem Blood of Redemption, but the fractured
narrative prevents the film from getting your blood pumping.
Director
Giorgio Serafini also worked with Dolph on Ambushed, Puncture Wounds, and The
Tracker.
AKA: Outrage Gang.
Direct
to Video Connoisseur’s review of Blood of Redemption can be found here: www.dtvconnoisseur.blogspot.com/2013/11/blood-of-redemption-2013.html
I like the title card trend, I think it's cool and I liked this movie as a whole.
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