Wednesday, March 4, 2020

AVENGEMENT (2019) **



Hardened criminal Cain (Scott Adkins) is granted temporary leave from prison to visit his dying mother.  When the guards lead him into the hospital, he learns of her passing.  Enraged, Cain subdues the guards, escapes, and sets out on a rampage of revenge.

Avengement is yet another collaboration between Scott Adkins and director Jesse V. Johnson.  It’s not one of their best efforts, mostly because of the lackadaisical pace and awkward flashback-fueled structure.  (The framework involves Adkins holding people hostage in a pub while waiting for the man who betrayed him to show up.  In the meantime, he relates flashbacks to show how he got there.)  Another debit:  Most of the actors speak in thick, impenetrable British accents, which makes many of the dialogue-heavy scenes hard to follow.  (You’ll probably want to put the subtitles on for this one.)  

There are a couple of OK fights sprinkled about, but they’re nothing on the level of Adkins’ best stuff.  We do get a nasty prison brawl where he winds up the victim of a curb stomping and receives a garish set of metal teeth for his troubles.  The problem is most of the fights occur during montages, so it’s hard to appreciate them when they’ve been edited together in bunches.  

Adkins attacks his role with ferocity.  (The scenes where he goads the other prisoners to take him on have a bit of a Bronson vibe to them.)  I can’t fault his performance.  It’s just that the character is so shallowly written that he never quite comes to life.  The inert pacing and choppy narrative also help to drain interest from his character’s plight.

Usually, whenever Scott Adkins gets sent to prison, it makes for a good movie.  If you’ve ever seen any of the Undisputed sequels, you know exactly what I’m talking about.  Unfortunately, Avengement seems to be the exception to the rule.  

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