Wednesday, March 4, 2020

LIFE AFTER BETH (2014) *** ½


A grieving couple (John C. Reilly and Molly Shannon) are coping with the sudden death of their daughter, Beth (Aubrey Plaza) alongside her sad sack boyfriend Zach (Dane DeHaan).  When she miraculously comes back to life, her family tries to keep it a secret.  When Zach finds out, he’s overjoyed to spend time with her once again.  Naturally, the relationship gets very complicated once he realizes Beth is now a zombie.

Just when you thought you’ve had your fill of zombie comedies, along comes one that manages to surprise you and even tug at your heartstrings a little bit.  Written and directed by Jeff (The Little Hours) Baena, Life After Beth is a fresh, funny, and offbeat horror comedy that takes many tonal shifts throughout its running time.  (It starts out like Moonlight Mile and finishes like Shaun of the Dead.)  Many similar films would not survive such a whiplash in tone, but this one succeeds because of the versatility of the committed cast.

Plaza is perfectly cast as the zombie girlfriend.  She makes it difficult to tell if she’s a flesh eater, or just being adorably quirky.  Reilly and Shannon are terrific together and play both the dramatic and comedic scenes to a tee.  I also loved seeing Paul Reiser getting some great lines as DeHaan’s dad, and Garry Marshall has a hilarious cameo too. 

What makes Life After Beth work is that Baena isn’t treading the same old (burial) ground countless of zombie comedies have tread before.  He’s using them as a metaphor for not being able to tell a deceased loved one all the things you wanted to say to them while they were alive.  There’s also a little bit of a Deathdream/Monkey’s Paw thing going on too (even though Beth doesn’t come back as part of a wish; it just kind of happens), which gives it a tinge of sadness.  I also liked the way he snuck in the details of the impending zombie apocalypse on the outskirts of the action.  (It occurs in little bits of background business, which is perfect because it doesn’t come at the expense of the character development.)

In short, Baena breathes new life into a rotting genre. 

AKA:  Beth, a Zombie.

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