A thief sneaks into a museum and vandalizes a valuable painting. An expert is brought in to restore the work of art and deems it to be a fake. In reality, he’s in league with the ring of thieves who plan to sell it on the black market and make a fortune. Stymied, Interpol brings in El Santo to bring the thieves down.
I tend to find El Santo’s non-horror and sci-fi films to be among his lesser work, and despite the great title, Santo vs. Doctor Death has only the slightest horror trappings. The scenes of sexy women in flimsy negligees walking down hidden passageways and catacombs are about all we get. The movie is particularly sluggish whenever our masked hero isn’t on screen. The art heist stuff is well-filmed, but mostly dull. The same goes for the stuff with the Interpol agents. We do get a pretty good car chase and the helicopter vs. boat finale is well done, although it is ultimately too little too late. The ladies in the cast are all easy on the eyes though.
Santo vs. Doctor Death is one of the few movies El Santo made away from his native Mexico. It is also the only film he made in Spain. The change of scenery is a bit of a mixed blessing. While it may be a tad on the slow side, it is one of his best-looking flicks. The cinematography is excellent and there are moments that look like they would be right at home in a Bond rip-off. However, El Santo is usually at his best when he was working with guys who really knew how to utilize his talents, and this Spanish crew just can’t seem to do that.
The three wrestling scenes are OK. Like the rest of the movie, they look slicker than usual. The bulk of them are filmed in an empty auditorium, which is surprisingly effective. Seeing the matches taking place in a mostly black void (complete with obviously phony canned crowd sound effects) is just odd enough to make them memorable.
AKA: Santo Strikes Again. AKA: Masked Man Strikes Again. AKA: Dr. Death. AKA: The Saint vs. Dr. Death.
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