Monday, March 18, 2024

LET’S GET PHYSICAL: READY TO RIDE (1992) ** ½

FORMAT:  VHS

Penthouse Video was always slightly more risqué than the similarly themed Playboy tapes, if only because the models’ pubic regions were trimmed and/or bare so you could see glimpses of their genitalia.  In the age of internet porn this will all probably seem rather chaste.  However, if you were a teenage boy in the ‘90s (as I was). the Penthouse Video tapes were where it was at. 

The tape kicks off with previews for other Penthouse Videos such as Satin and Lace, Fast Cars Fantasy Women, and Passport to Paradise.  Then the main attraction begins.  It’s a collection of hit-and-miss motorcycle-themed vignettes of nude biker babes. 

The first one is called “Biker Chicks” (** ½), and it plays like a naughty rock video version of The Violent Years.  Three sexy biker babes roam the countryside, accosting and hogtying unsuspecting men (and women) before having their way with them.  The ladies all look great in this segment, but the MTV editing kinda prevents it from gathering up much steam. 

Next, we have “Satin and Lace” (** ½), a black and white sequence where a biker dude bangs Monique Gabrielle on the back of his motorcycle.  While this scene begins promisingly enough, there’s not a whole lot to it and it’s over before it really begins. 

“Bar Dance” (***) is a fun sequence where two hot blondes become bored by the dates, pop a quarter in the jukebox, and start stripping on the bar.  This one effectively straddles the line of fantasy and “Letters to Penthouse” style of straitlaced people having a wild encounter, although you have to wait till the very end to see how it fits into the overall biker theme. 

Then, a pre-porn, pre-tattoos Janine does a sexy dance in a studio on and around a motorcycle while clad in leather in “Locked in Leather” (** ½).  Like the first segment, this is little more than a rock video, but you know, with boobs. 

“Bikers and Guys” (**) is up next, and it’s a leisurely paced assortment of random scenes of girls (one of which is Julie Strain) slowly disrobing for the camera while a lazy blues guitar plays on the soundtrack.  Oh, and occasionally some guys on motorcycles ride by.  This scene just feels like filler and worse, looks like it may have been cobbled together from outtakes of a previous Penthouse video.  Even though it ends with Strain straddling a biker dude and dry humping him, it still isn’t all that entertaining or hot. 

After that, we have “Daydreaming (** ½) where a motorcycle mechanic has hallucinations of Julie K. Smith dressed (and undressed) as Marilyn Monroe.  Julie looks great here all done up as Marilyn, but there really isn’t a whole lot to this unusually short sequence. 

This is followed by yet another faux MTV rock video segment, “Fire and Water” (**) featuring more bosomy biker babes.  Again, it just feels like filler, and some of the footage was even recycled from previous segments. 

A hitchhiking hippie chick gets picked up by a biker who bangs her in the woods in “Flower Child” (**).  This segment is kind of tame and pretty lame, and the slow rock song on the soundtrack is awful. 

A morbidly obese biker stops reading Penthouse to play a rock cassette which summons Penthouse Pets out of thin air who then strip for him and his buddies in “Biker Gang” (** ½).  The Pets are hot, and there’s some good energy in this scene, but the fat grubby biker dudes are kind of hard to take. 

Julie K. Smith is back to do some “Solo Dancing” (****) in another rock video segment.  She has a lot of energy as she shimmies and shakes in front of a motorcycle.  I’m a big fan of Julie’s and this sequence gives you just about everything you could hope to see from her.  The close-ups of Smith ripping her mesh outfit and baring it all for the camera are particularly hot.  Although this segment is kind of short, it’s definitely the highlight of the tape. 

Julie Strain is the focus of the final segment, “Ready to Die” (**).  She entices the grubby bikers from the earlier segment, and they chase her on the highway with their bikes.  Once they finally catch up to her, she lets have their way with her.  Then, we find out it was all a dream!?!  HUH!?!  This one just goes on way too long, and not even the sexy allure of Julie can save this unsexy, meandering sequence. 

Ultimately, Ready to Ride might not be one of Penthouse’s best videos, but the fact that it features such soon to be porn luminaries such as Janine and Tiffany Mynx and B-Movie Queens like Julie Strain, Julie K. Smith, and Monique Gabrielle will make it well worth watching for their legions of fans. 

AKA:  Penthouse:  Ready to Ride.

TOP TEN OF 2023

Now that I've finally posted the winners of the Video Vacuum Awards, I can finally reveal my Top Ten Films of the Year:

 Top Ten Best Movies 

1. Creed III 

2. M3GAN 

3. Godzilla Minus One 

4. Oppenheimer 

5. Poor Things 

6. Thanksgiving 

7. Lingerie Fighting Championships 37:  Back to the Mansion 

8. The Equalizer 3 

9. Mission:  Impossible:  Dead Reckoning:  Part One 

10. Fast X 


Runner-Up:  Priscilla 


Bottom Five Worst Movies

1. Bikini Hackers 

2. Cocaine Shark 

3. Savage Vengeance 

4. Amityville Death Toilet

5. 1962 Halloween Massacre 

THE 17TH ANNUAL VIDEO VACUUM AWARDS: AND THE WINNERS ARE…


Wow, can you believe I have been handing out these awards for SEVENTEEN years and not one single recipient has ever bothered to come and claim them?  Anyway, I can’t worry about that now.  I have even more useless awards to hand out to people who will never pick them up.  Let’s begin, shall we?

Best Sequel/Prequel

And the nominees are…

Creed III
The Equalizer 3
Godzilla Minus One
Lingerie Fighting Championships 37:  Back to the Mansion
Mission:  Impossible:  Dead Reckoning:  Part One

And the winner is… Creed III!

Worst Sequel

And the nominees are…

Amor Emanuelle
Evil Dead Rise
Camp Blood 666 Part 2:  Exorcism of the Clown
Doll Killer 3:  Audra’s Revenge
Subspecies 5:  Bloodrise

And the loser is… Evil Dead Rise!

Best Sci-Fi Movie

And the nominees are…

Guardians of the Galaxy Vol. 3
The Marvels
Murderbot
Poor Things
Shin Ultraman

And the winner is… Poor Things!

Best Horror Movie

And the nominees are…

Godzilla Minus One
M3GAN
The Nun II
Pillow Party Massacre
Thanksgiving

And the winner is… M3GAN!

Worst Horror Movie

And the nominees are… 

Amityville Death Toilet
Cocaine Cougar
Cocaine Shark
1962 Halloween Massacre
Savage Vengeance

And the loser is… Cocaine Shark!

Best Horror Sequel

And the nominees are… 

Axegrinder 666
The Exorcist:  Believer
Godzilla Minus One
The Nun II
Pet Sematary:  Bloodlines

And the winner is… Godzilla Minus One!

Worst Horror Sequel

And the nominees are…

Camp Blood 666 Part 2:  Exorcism of the Clown
CarousH3LL
Doll Killer 3:  Audra’s Revenge
Evil Dead Rise
Subspecies 5:  Bloodrise

And the loser is… Evil Dead Rise!

Best Comic Book Movie

And the nominees are…

Aquaman and the Lost Kingdom
The Flash
Guardians of the Galaxy Vol. 3
The Marvels
Spider-Man:  Across the Spider-Verse

And the winner is… The Flash!

Best Action Movie

And the nominees are…

Creed III
The Equalizer 3
Fast X
Indiana Jones and the Dial of Destiny
Mission:  Impossible:  Dead Reckoning:  Part One

And the winner is… Creed III!

Best Actor

And the nominees are…

Harrison Ford in Indiana Jones and the Dial of Destiny
Ryunosuke Kamiki in Godzilla Minus One
Jason Momoa in Fast X
Cillian Murphy in Oppenheimer
Mark Ruffalo in Poor Things

And the winner is… Cillian Murphy in Oppenheimer!

Best Actress

And the nominees are…

Emily Blunt in Oppenheimer
Taissa Farmiga in The Nun II
M3GAN in M3GAN
Cailee Spaeny in Priscilla
Emma Stone in Poor Things

And the winner is… Emma Stone in Poor Things!

Best Director

And the nominees are…

Gerard Johnstone for M3GAN
Michael B. Jordan for Creed III
Yorgos Lanthimos for Poor Things
Christopher Nolan for Oppenheimer
Takashi Yamasaki for Godzilla Minus One

And the winner is… Michael B. Jordan for Creed III!

Worst Picture

And the nominees are…

Amityville Death Toilet
Bikini Hackers
Cocaine Shark
1962 Halloween Massacre
Savage Vengeance

And the loser is… Bikini Hackers!

Best Picture

And the nominees are…

Creed III
Godzilla Minus One
M3GAN
Oppenheimer
Poor Things

And the winner is… Creed III!

Well, that’s all for this year, folks.  See you next year for more… stuff!

THE 17TH ANNUAL VIDEO VACUUM TECHNICAL AWARDS

Okay, folks.  We’re quickly ramping up to the 17th Annual Video Vacuum Awards.  While we anxiously await the results, let us first celebrate the 17th Annual Video Vacuum Technical Awards.  These of course, are the awards for movies that were found in categories so narrow that there often were only one or two choices.  Hence, they are technically the winner of that category.  So, let’s begin!


Worst Amityville Movie
Amityville Death Toilet

Runner-Up:  Amityville Emanuelle

Best Cocaine Animal Movie
Cocaine Bear

Worst Cocaine Animal Movie
Cocaine Shark

Runner-Up:  Cocaine Cougar

Worst Comic Book Movie
Shazam!  Fury of the Gods

Runner-Up:  Teenage Mutant Ninja Turtles:  Mutant Mayhem

Best Documentary
Lingerie Fighting Championships 37:  Back to the Mansion

Runner-Up:  Albert Brooks:  Defending My Life

Best Drama
Oppenheimer

Runner-Up:  Priscilla

Best Dustin Ferguson Movie
Summerhouse Slaughter

Runner-Up:  Stale Popcorn and Sticky Floors

Worst Dustin Ferguson Movie
Cocaine Cougar

Runner-Up:  Big F*cking Snake

Worst Emanuelle Movie
Amor Emanuelle

Runner-Up:  Amityville Emanuelle

Best Exorcism Movie
Exorcist:  Believer

Worst Exorcism Movie
Camp Blood 666 Part 2:  Exorcism of the Clown 

Best Family Movie
Fast X

Worst Horror Remake/Reboot
Savage Vengeance

Runner-Up:  Children of the Corn

Best Jason Statham Movie
Fast X

Runner-Up:  Expend4bles

Best Kids Movie
The Super Mario Bros. Movie

Runner-Up:  Spider-Man:  Across the Spider-Verse

Worst Kids Movie
Teenage Mutant Ninja Turtles:  Mutant Mayhem

Best Killer Doll Movie
M3GAN

Worst Killer Doll Movie
Demon Doll from Hell

Runner-Up:  Doll Killer 3:  Audra’s Revenge

Best Non-Killer Doll Movie
Barbie

Worst Mark Polonia Movie
Cocaine Shark

Runner-Up:  Motorboat

Best Movie Based on a Toy
Barbie

Worst Movie Based on a Toy
Transformers:  Rise of the Beasts

Best Movie Based on a Trailer
Thanksgiving

Best Movie Based on a TV Show
The Equalizer 3

Runner-Up:  Mission:  Impossible:  Dead Reckoning:  Part One

Worst Movie Based on a TV Show
Teenage Mutant Ninja Turtles:  Mutant Mayhem

Best Remake/Reboot
The Super Mario Bros. Movie

Runner-Up:  Shin Ultraman

Worst Remake/Reboot
Savage Vengeance

Runner-Up:  Children of the Corn

Worst Sci-Fi Movie
Big F*cking Snake 

Runner-Up:  AIMEE:  The Visitor

Worst Sequel to a Sequel
Camp Blood 666 Part 2:  Exorcism of the Clown

Best 666 Sequel
Axegrinder 666

Worst 666 Sequel
Camp Blood 666 Part 2:  Exorcism of the Clown

Best Stephen King Movie
Pet Sematary:  Bloodlines

Worst Stephen King Movie
Children of the Corn

Best Vampire Movie
Parasite Lady

Best Video Game Movie
The Super Mario Bros. Movie

Friday, March 15, 2024

NARCOTIC (1933) **

Narcotic is director Dwain (Maniac) Esper’s anti-drug propaganda flick that rallies against the use of opium.  A doctor with a promising future is engaged to be married and spends his spare time volunteering at a free clinic.  He starts hanging out with his Chinese friend from college who recreationally visits opium dens and before long, he becomes a hopelessly addicted doper.  His wife figures out he’s an addict and tries to get him help.  After a successful stint in rehab, he becomes addicted once again after getting into a terrible car wreck.  Tragically, his life quickly spirals from there.

Lacking the jaw-dropping lunacy of Esper’s classic, Maniac or even the wild-eyed fun of the Esper-produced Reefer Madness, Narcotic is a tepid and routine affair.  I guess that has a lot to do with the presentation as we’re told upfront it’s a “case study”.  In another words, a factual account.  What made Esper’s other adults-only roadshow outings so much fun is that they were fire and brimstone scare pictures.  This one is more of a filmed manual about the dangers of addiction.  Whereas Maniac had nudity and gore and Reefer Madness had hilarious overacting, this one has boring speeches about addiction.  (To be fair, there may have been harsher scenes in its original release.  The editing is so choppy throughout that it’s conceivable that at some point there was a tawdrier version before the censors got ahold of it.)

Other than a brief birth of a baby scene and the guy in yellow face who smokes hookahs and spouts fortune cookie witticisms, Narcotic is curiously low on the WTF moments you hope for from a dated scare picture.   The closest it comes to matching the heights of Esper’s other works is the “dope party” scene near the end.  Even then, it’s more or less just a bunch of people hanging around and telling bad jokes, but the close-up of a needle going in the arm is rather graphic.  (The shots of the pothead’s uncontrolled giggling sort of portends the hilarity of Reefer Madness.)  The funniest part is when one partygoer says, “We’re gonna get lit!”  It’s nice to know that after nearly a hundred years some slang words never change. 

LET’S GET PHYSICAL: TELL ME NO LIES (2001) ***

FORMAT:  DVD

A serial killer is going around butchering a bevy of beautiful busty college coeds.  Amber Smith is a sexy DJ for a college radio call-in show whose sultry voice attracts the attention of the killer.  When he reveals on the air that he killed Amber’s sister, it naturally rattles her.  While the police drag their feet and come up with no leads, Amber sets out to take down the killer on her own terms. 

Smith makes quite an impression as she really commands the screen.  She has a sexy voice and is a natural fit behind the microphone.  She also looks great in her frequent nude scenes. 

Most of the sex scenes are gratuitous and would make a Mainline Releasing erotic thriller seem subtle and restrained by comparison.  That’s just a fancy way of saying they’re pretty darn good.  These sequences are well lit, have patient editing, and director Emmanuele Itier frames the scenes in such a way that he’s able to get the most out of the performers'… uh… assets.  The sex scenes also occur at a steady clip which also help to disguise the thin plot. 

Other than Amber’s impressive performance, the rest of the cast are sadly, more or less a washout.  Jason Ryan, who plays the main cop on the case especially looks ridiculous in his ill-fitting cowboy hat, especially considering that without it, he otherwise looks like a member of Sugar Ray.  His Texas accent sounds equally phony.  Thankfully, his goofy appearances don’t detract from the hot and heavy softcore action. 

The finale where Amber and her boyfriend are attacked by the killer is a lot less effective than the build-up to the confrontation.  This lengthy sequence also cuts into the nude scenes, which were previously occurring every five minutes.  The tepid climax aside, for the first hour or so, Tell Me No Lies is truthfully a great Skinamax thriller. 

Itier later went on to direct documentaries, many of which were narrated by none other than Sharon Stone!

LET’S GET PHYSICAL: SHOTGUN (1989) ** ½

FORMAT:  DVD (REWATCH)

ORIGINAL REVIEW:

(As posted on April 11th, 2018)

There’s a psycho going around the city wearing a leather S & M mask and beating up hookers.  Two concerned cops, Jones (Stuart Chapin) and Billings (Riff Hutton) warn the ladies of the night to beware.  When Jones’ sister becomes the killer’s latest victim, he goes out for revenge.  He flies off the handle and winds up getting thrown off the force.  Jones ekes out a living as a bounty hunter and quickly gains the nickname “Shotgun” for his propensity for shooting people in the ass with a shotgun.

Shotgun is a chintzy, low-rent, but watchable cop thriller.  The sometimes-blurry cinematography gives it the look of a slightly higher budgeted homemade movie.  The amateurish performances (especially by Chapin) help add to the fact (and the fun).

The early scenes of the masked killer whipping hookers have a kick to them and gives you a good look at Hollywood Boulevard in the late ‘80s.  However, the tone is inconsistent.  It goes from comedy (like when Chapin and Hutton bust up a robbery in a bar) to prostitute beating a little crudely, which sometimes hampers it from truly taking off.

Shotgun suffers from a low budget, but the filmmakers wisely saved all their money for the final reel.  In the end, Chapin gets an old buddy to turn his truck into a tank equipped with a flamethrower.  They then head down to Mexico to take out the killer who's hiding in a fortress surrounded by armed goons.  This sequence has enough explosions, pyrotechnics, and shots of people being blown away and/or set on fire to qualify it as a minor classic. 

Chapin gets the best line of the movie when he tells an Internal Affairs officer:  “My partner and I were in a situation that probably would’ve given you Hershey Squirts!”