Sunday, December 9, 2018

THE CLONES (1973) ***


A scientist named Gerry (Michael Greene) is perplexed to discover a clone has infiltrated and taken over his life.  He soon goes on the run when two hitmen (Gregory Sierra and Otis Young) arrive on the scene with orders to take him out.  While running for his life, Gerry sets out to stop the devious government operation behind the illicit cloning.

The Clones is sort of like a low budget precursor to The Sixth Day.  It offers a clever twist on the typical ‘70s paranoia thriller and gives it a Sci-Fi slant.  Things get off to an atmospheric start with a trippy opening title sequence and a cool Evil Dead-style steady-cam shot of Greene being chased around his underground bunker by an unseen entity.  From there, directors Lamar (Supervan) Card and Paul (Twisted Nightmare) Hunt deliver an exciting rooftop chase, freaky dream and flashback sequences, and more shots of the hero running than an entire season of The Fugitive. 

Like The Sixth Day, the hero teams up with his clone to fight the bad guys in the end.  Unfortunately, once you find out why the clones are being used, it’s kind of a letdown and pretty cheesy (even for a ‘70s Sci-Fi movie).  The car chases get a bit repetitive too, but then again, what’s a little repetition in a thriller about clones?  The good news is the action-packed finale set at an abandoned amusement park is a total blast.  Whatever its faults, any movie that ends with Julio from Sanford and Son chucking grenades off a speeding roller coaster is okay by me. 

Greene gets the best line of the movie when he disparagingly refers to his clone as “Xerox”. 

AKA:  The Cloning.

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