THE AFTERMATH (1982) * ½

Steve Barkett did it all in The Aftermath.  He wrote it.  Produced it.  Edited it.  Directed it.  Said, “Hey, you know who would look GREAT shirtless on the video box?  Me!”  Yep, he did that too, although I kind of wish he didn’t.  

Steve stars as Newman, an astronaut who returns to Earth from a deep space mission to find the apocalypse has occurred.  (This is also known as “Pulling a Heston”.)  He goes to a museum ran by “The Curator” (Forrest J. Ackerman, in what was probably his biggest role) and gets the lowdown on what happened while he was away.  Meanwhile, the vile Cutter (Sid Haig) and his buddies have been going around killing men and raping women.  Newman befriends a young boy (Christopher Barkett, one of countless Barketts to be found among the credits as nepotism ran rampant behind the scenes of this one) and a refugee from Cutter’s prison named Sarah (Lynne Margulies) and the three form a half-assed post-nuclear family.  Things take a turn for the Death Wish in the third act when Cutter and his men kill Sarah, prompting Newman to wage a one-man war on Cutter’s compound.

The Aftermath was a vanity project for the decidedly not-movie-star-handsome Barkett.  Not only did he give his family members plum roles behind and in front of the camera, he also gave himself a completely gratuitous love scene with the topless female lead.  Maybe I got to look into this movie business thing for myself.   

Clumsy and awkward in nearly every regard; cheap and crappy on just about all fronts, The Aftermath is a jaw-dropper if nothing else.  Too crude to have charm and mostly too unpleasant to be considered “fun”, it nevertheless has an unmistakable… something about it.  Let me put it to you this way.  When I was watching it, I just wanted it to end.  Now that I have some distance from it, I want to show it to others just to see their reactions. 

The opening sequence has some of the worst spaceship effects I’ve ever seen.  Seriously, Ed Wood would’ve rejected a few of these shots for looking phony.  The shots depicting the nuclear fallout in the city work much better though, although some of them are overused. 

Sid curiously underplays his villain role.  While he perks up the movie somewhat, he never quite goes for broke.  The best scene is when Ackerman walks around the dinosaur sculptures while giving a tour of his museum.  I mean, you know you’re in trouble when Forrest J. Ackerman gives the best performance of the movie.  

As for the action, it’s amateurish, slapdash, and mostly weighted toward the end.  Until then, it’s kind of like watching paint dry.  At least with paint there’s a possibility you could get high off the fumes. 

AKA:  Nuclear Aftermath.  AKA:  Zombie Aftermath.