Thursday, March 14, 2019

DOOMED! THE UNTOLD STORY OF ROGER CORMAN’S THE FANTASTIC FOUR (2015) *** ½


Roger Corman’s The Fantastic Four is an immortal bad movie.  So bad, the legend goes that it never saw the light of day.  Some claim it was never intended to be shown anyway.  It was locked away in the vaults (or presumably burned) and soon became the stuff of legend.  Luckily, SOMEONE made a copy of it somewhere and it became a fixture on the bootleg market.  That meant fans who wanted to see it finally could.  

Knowing that the movie was made long before a “Marvel Cinematic Universe” only existed in a fanboy’s wet dream makes Corman’s version an interesting curio.  (Trust me, it’s only worth watching as a curio.)  As bad as it is, it’s only marginally worse than Josh Trank’s version.  Anyone who always wondered how Corman’s film came together (and subsequently fell apart) will want to seek Doomed! out.

Many of the principal actors, crew members, and even Corman himself are interviewed.  We get a few interesting details on the pre-production (some of the names of actors who auditioned for the Four will be familiar) and get a good idea of what filming was like.  Even as someone who has seen the movie and thinks it sucks, I still admire the spunk of the cast and crew.  They kind of had an inkling it was going to suck, but they all put forth their best effort.  There’s a lesson there.  It’s easy for someone like me to make fun of the shitty effects.  Once you realize how bad the production got conned by the shady backstage machinations that were beyond their control, and the fact that many of the crew members and technicians put their own money into the film, you sort of how a new appreciation for it.  (It’s still terrible though.)

As a fan of Marvel movies, Corman’s Fantastic Four, has always been an interesting what if.  Many interviewees assert that maybe it was better like this.  Perhaps it will have a longer shelf life as an underground bootleg flick than as a legitimate production.  No one is going to be tape-trading for Trank’s version any time soon, that’s for sure.

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