Donald
Sutherland stars as a professor who is outraged that baby seals are being bludgeoned
with baseball bats by the government who want to install a military base on the
seals’ breeding ground in Alaska. No one
wants to take on the big corporation holding the government contract, so he
resorts to looking in the phone book for a lawyer. He winds up choosing Suzanne Somers and
together they team up to stick it to the man and save some seals.
Nothing
Personal is a weird movie. I don’t know
who the intended audience was. It seems
like an ‘80s updating of a ‘60s counterculture comedy with a dash of ‘70s
political thriller, but the subject matter is so specific that it’s hard to
generate any laughs.
What
you’re left with is the sight of Somers flirting with Sutherland in between
causing a ruckus with corporate execs over the seals. They aren’t bad together either. In fact, they’re interesting enough to make
you wish they had better material to work with.
(There’s a scene where Sutherland goes on and on about Somers’ pussy
that is surprising, considering the PG rating.)
The
reason why none of this works was probably because it was never intended
to. It was made as a Canadian tax shelter
movie (the accents are a dead giveaways), so the producers could write it off
and still come out ahead, even if it was a flop. The ending is a washout and some scenes feel
like they were almost stapled together.
Perhaps there was a longer cut somewhere that got whittled down because
so much of it is choppy. (Obviously looped
dialogue like, “Let’s stop back at the hotel and change our clothes” is
clumsily added in to prevent obvious continuity errors in between scenes.)
Director
George Bloomfield also did a lot of episodes of SCTV, which explains why Eugene
Levy, Catherine O’Hara, and Joe Flaherty appear in bit parts.
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