THE 31 MOVIES OF HORROR-WEEN: MOVIE #30: LORD SHANGO (1975) ***

(Streamed via Night Flight)

Lord Shango is a voodoo-themed horror-drama that was released in the midst of the ‘70s Blaxploitation craze.  Unlike many of those films, it doesn’t feel like it’s capitalizing on a thriving subgenre.  Instead, it’s an effective chiller in which the characters just so happen to be black.  

Femi (Bill Overton) is a voodoo practitioner who tries to prevent his girlfriend Billie (Avis McCarther) from being baptized in a river.  The congregation gets a little rough with Femi and he accidentally drowns when they try to “convert” him.  Things go from bad to worse when Billie’s stepfather Memphis (Wally Taylor) rapes her, causing her to leave town.  Her furious mother (Marlene Clark) then turns to a voodoo priest (Maurice Woods) to see that justice is done.  

Marlene Clark is excellent as her performance requires her to run a gamut of emotions.  She’s particularly engaging in her scenes with Lawrence Cook, who plays the town drunk, who just may know a little more than he lets on.  McCarther and Woods are equally good in tricky roles.  

I liked the way director Ray (The Last Porno Flick) Marsh resisted the temptation to lean into the horrific elements of the story.  Instead, he patiently allows characters to slowly seal their own fate with their actions. You probably won’t even mind that the horror is more subdued as the sometimes-icky family drama and strong performances are enough to keep you glued to your seat.  Not only that, but Lord Shango is a searing indictment of religious hypocrisy.  It’s also interesting the way Marsh contrasts elements of voodoo with Christianity, leaving the viewer to decide which of the two does more harm than good.  

Lord Shango probably runs on about ten or fifteen minutes longer than necessary.  However, this is one movie in which the marinade is more important than the meat.  It might move a little pokey in sports, but it’s a damned fine alternative to some of the schlocky Blaxploitation horror flicks of the era.

AKA:  The Color of Love.  AKA:  Soulmates of Shango.