Alison’s
Birthday kicks off with a killer (literally) séance scene. Three girls make their own makeshift Ouija
board and ask a spirit some questions. Then, one of the girls gets possessed, talks
in a demon voice, and warns the sixteen-year-old Alison (Joanne Samuel, who
played Mel Gibson’s ill-fated wife in Mad Max) to beware her nineteenth
birthday. Suddenly, a demonic gust of
wind blows into the room, knocking over a bookshelf, and killing one of the
girls. All before the opening credits
roll!
We
then flash-forward to a few days before Alison’s nineteenth birthday. She’s spent the past couple years living on
her own, but she’s beckoned home to visit a sick relative. She spends the week with her aunt and uncle,
who seem cheery enough. Still, something
about them just doesn’t seem quite right. Like why do they have a miniature version of Stonehenge
in their backyard?
Alison’s
Birthday is a middling example of Ozploitation (Australian exploitation movie).
It’s tame and predictable,
right down to the “twist” ending. That
opening sequence is a doozy though, so it’s still halfheartedly
recommended. It’s just that from there,
it devolves into yet another tepid Don’t Drink the Tea movie.
Oh,
you’re familiar with the Don’t Drink the Tea subgenre, aren’t you? Remember Rosemary’s Baby where the seemingly
kind old people kept forcing drugged tea on the heroine to prepare her for an
unspeakable ritual? It’s the same deal
here.
The
movie especially slows down during her boyfriend’s search into Alison’s past. This stretch of the film plays like an episode
of Encyclopedia Brown or something, although it does have a great bit where he
is chased by cultists and uses a pitchfork to pole vault over a fence. The electronic synth score is moody and
effective too, which keeps the all-too familiar happenings from feeling too
stale. I also liked the use of the title
card that states Alison’s age, which results in an amusing payoff.
These
memorable moments are fleeting, however.
All in all, I’m not sure Alison’s Birthday is worth celebrating. R.S.V.P. at your own risk.
I think this one was decent, but as far as Ozploitation films go there are better ones out there like Innocent Prey.
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