David
Hess stars as a horror director who is enraged when audiences mock his latest
film, Terror Toy. After he accidentally
kills a stripper, he notices the gore in his movies just doesn’t compare to the
real thing. He then takes to using his
own blood to make the effects look more realistic. After passing out on the set, he realizes he
needs other people’s blood to keep the movie going. Hess kills critics, producers, and financiers,
all of whom he feels have interfered with his “artistic vision”. Porn star Sasha Grey co-stars as a journalist
investigating the death of her sister, Hess’ first victim, who ingratiates
herself into his inner circle by winning the starring role in his latest opus.
The
best part is the very beginning featuring the Godfather of Gore himself,
Herschell Gordon Lewis warning the audience a la Blood Feast. He also appears later on in a small role as
Grey’s boss. While his presence alone
brought a smile to this gorehound’s face, I also wish he had more to do.
Despite
the great set-up, Smash Cut spins its wheels a bit too much in the middle
portion of the film. We do get a fun
scene where Hess makes Grey audition with a scene from Hamlet using her dead
sister’s decapitated head as Yorick’s skull. Unfortunately, the rest of the movie is a bit
spotty when it comes to the gore scenes.
Some of the effects are good, while others (like the eyeball gag) are crappy.
(I’m thinking specifically of the odd
scene where Hess dresses like a boat captain and kills a guy with a harpoon… on
a double decker bus?!?) The
death-by-clapboard scene is pretty cool though.
Hess
is a lot of fun as the maniacal director.
If you’re a fan of the man, you’ll want to give it a look as he shows he
still has the goods. It’s also fun just watching
Hess and Michael Berryman sharing scenes together, seeing as they’re both best
known for their work in iconic Wes Craven movies. On the other side of the coin, Grey shows
none of the chops she showed in The Girlfriend Experience (which came out the
same year). At least she gets by on her
looks. Jesse Buck on the other hand
grates on the nerves as a completely gratuitous detective who hams it up every
chance he gets and manages to sink nearly every scene he’s in.
If
you can’t already tell, Smash Cut is a loving homage to Lewis’s work (especially
Color Me Blood Red). In addition to the
Blood Feast-inspired opening, the movie also uses some music cues from that
film. Heck, even the Wizard of Gore
himself, Ray Sager turns up in a small role.
As
far as latter day Lewis homages go it's much better than the Wizard of Gore
remake. Still, it’s not a patch on
Lewis’s own Blood Feast 2. The tongue-in-cheek
humor never quite meshes with the over the top gore, but hey, if you ever wanted
to see David Hess do yoga, this is your chance.
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