I’ve been a huge Misfits fan for what seems like forever, so I was excited to learn front man Glenn Danzig was making an anthology horror movie based on his own comic book line. His music has always been infused with his love for old horror films, so I was anxious to see how he would fare as a horror director. As far as musicians-turned-directors, he has a long way to go before he can touch Rob Zombie, but I can honestly say, there is enough inspired lunacy here to make me interested to see what he does next.
Porn star Kayden Kross stars as our host, Morella, who in the opening scene, gouges a woman’s eyes out. She then introduces herself to the camera and we go right into the first story.
“The Albino Spider of Dajette” (***) is about a pink-haired girl named Dajette (porn star Ashley Wisdom) who is distraught when her boyfriend leaves her. In most movies, the boyfriend leaves because he wants to see other people. In Danzig’s world, the boyfriend leaves because his girlfriend has eyeballs where her nipples should be. That’s not even the weird part. When her boobs start crying, the tears land on an albino spider, and it morphs into a six-armed man-spider who goes out and kills every time Dajette falls asleep.
I tell you, when it comes to becoming a spider-man, getting bit by a radioactive spider is soooooo gauche next to being bathed in titty tears.
Most directors would take an idea like a woman with eyes for nipples and base an entire story around it. For Danzig, it’s just the jumping off point. You have to admire something so hilariously insane, even if the craftsmanship is a bit shoddy.
Then again, any time I want to criticize this segment for its stilted performances, awkward camerawork (I can’t tell if Danzig is trying to channel Jess Franco’s haphazard camera zooms on purpose), or slipshod editing, I remember it’s about a woman with eyes for nipples whose teat tears turn a spider into a half-human spider-man, and I think… gee… I haven’t seen THAT before, so ***.
The next story is the Eyes Without a Face-inspired “Change of Face” (**). A masked stripper known as “The Mystery Girl” (Rachel Alig from Bikini Spring Break) goes around hacking off the faces of women and puts them on her dressing room wall. It’s then up to a determined detective (The Karate Kid 3’s Sean Kanan) to end her reign of terror.
This segment isn’t nearly as wild as the previous tale, which puts it at a disadvantage. It isn’t necessarily bad, per se, but it’s certainly a comedown. Alig is pretty good though as the faceless stripper who wears skull-shaped pasties. She’s definitely a much more credible lead than Wisdom was, that’s for sure. I also had fun with Kanan’s performance as the comically gruff detective. That doesn’t quite compensate for the fact that the story is slight, and the non-ending is rather frustrating.
The final tale, “Drukija: Contessa of Blood” (**), is a reworking of the old Elizabeth Bathory legend as a vampire woman (Alice Haig) bathes in the blood of virgins to remain eternally young.
This is one story that would’ve benefited from some tighter editing. I mean there’s a scene where Drukija stares at herself in the mirror that just goes on forever. That said, the scenes where Drukija slashes open virgin throats and bathes in their jugular spray are something else. Too bad that this one, like “Change of Face” is completely devoid of an ending.
So, in short, this is an extremely hit or miss affair. It’s particularly rough going after the first story. However, if you ever wanted to see an albino man-spider trying to negotiate the price of Greek from a French prostitute, then Verotika is for you.
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