Well,
last week’s Bloody Disgusting’s Retro Nightmares double feature of Amityville sequels
was canceled, which sent me into a deep week-long depression. Luckily for me, their screening of Sweet Sixteen
and The Convent didn’t suffer the same fate.
As I learned from their showing of The House on Sorority Row, you should
never turn down an opportunity to see a slasher from 1983 on the big screen, especially
one that stars Bo (Time Served) Hopkins!
SWEET SIXTEEN (1983)
** ½
Sweet
Sixteen has an incredible cast for this kind of thing. In addition to Hopkins, who plays (what
else?) a sheriff, we have Dana Kimmell, who played one of the greatest Final
Girls in screen history the year before in Friday the 13th Part 3-D
as his mystery-solving daughter, as well as Steve (“Andy… You… GOONIE!”) Antin
as her tagalong brother. There’s also
Patrick (The Howling) Macnee as an archeologist, Video Vacuum favorite Michael
(Halloween 4) Pataki as the sleazy town elder, Don (Licence to Kill) Stroud as
a racist redneck, Don (Halloween 5) Shanks as a Native American, and Susan (The
Manitou) Strasberg in a part so small that she must figure into the twist
ending because why else would they give Susan Strasberg such a seemingly small throwaway
part if they weren’t going to somehow give her a doozy of a scene in the last
five minutes?
The
movie really belongs to Aleisa Shirley who is excellent (and gets naked a lot) as
Melissa, the girl who’s sixteenth birthday is just around the corner. It seems that every boy she flirts with winds
up stabbed to death. When she casts suspicion
onto some of the local Native Americans, it stirs up a lot of bad blood within
the town.
Despite
the great cast, they’re all sort of wasted.
There’s also a lot of plot stuff that gets set up that never has a
proper payoff. I mean why hype Kimmell’s
character up as the amateur sleuth if all you’re going to allow her to do in
the finale is run around and scream her head off? Speaking of which, the final scene requires a
ton of last-minute exposition, most of which is overexplained to the point where
it starts to get annoying.
I
guess there was an okay mystery movie lurking somewhere within the confines of
Sweet Sixteen, but the producers decided to retool it to fit within the slasher
formula. The subplot about racism
towards the Native American population is noble I guess. However, the Native’s involvement is more of
a strung-along red herring than an earnest attempt at racial harmony.
Still,
the cast makes up for a lot (though not all) of the film’s shortcomings. I mean, how am I not going to see a movie in
which Bo Hopkins plays a sheriff?
Oh, what's this? Just me and Bo Hopkins!
Kimmell
gets the best line of the movie when she tells Antin, “You heard what dad said! There’s a killer on the loose! I don’t want to be turned into cole
slaw!”
THE CONVENT (2000)
***
Throughout
much of The Convent, you can hear director Mike Mendez screaming, “Hey, look at
me! I’m the next Sam Raimi!” You can certainly do that if you have the
chops to pull it off. Done the wrong
way, The Convent could’ve been an embarrassing Troma horror-comedy. Mendez however has a knack for combining
gross-out humor, badass action, and over the top gore and making it a damn good
time.
A
crazy orphan named Christine (Oakley Stevenson) apparently kicked down the
doors to the titular nunnery and killed several nuns. Forty years later, some college kids break
into the convent as part of a Rush Week prank.
Little do they know some half-assed amateur devil worshippers want to
revive the undead nuns. Once the nuns
possess the teenagers, they set out to hold a virgin sacrifice to bring about
the Antichrist. It’s then up to the lone
survivor (Joanna Canton) to enlist the help of the now-grown Christine
(Adrienne Barbeau) to send the nuns back to Hell.
The
plot is a little on the funky side. Sometimes
it feels like it’s making up the “rules” as it goes along. Other times, it feels like there might’ve
been a reel is missing. The ending is
also rushed, abrupt, and very cheap looking.
(It looks like they ran out of money.)
However, it’s hard not to love a movie in which Adrienne Barbeau rides a
motorcycle like The Terminator and blows away zombie demon nuns.
The
Convent doesn’t always work and is crude in places, but the gusto Mendez puts into the film is admirable and the results are often a lot of fun.
I mean it’s hard not to like any movie
that starts with nuns being beaten with a baseball bat, set on fire, and then
shotgunned to death. The make-up is reminiscent of Night of the Demons, but
with Day-Glo effects and the slimy gore effects, though inconsistent, will
leave you with a big stupid grin on your face.
Barbeau
is a lot of fun as the ass-kicking Christine.
It’s a shame she doesn’t show up until the last act. It’s also fun seeing Coolio and Bill Moseley
being teamed together as cops who confiscate “marijuana substance” from
the teens. It’s Megahn Perry though who gives
the best performance as the sexy goth virgin who knows all about the convent’s
sordid history.
Fortunately i've sent you both Amityville sequels so that should help alleviate the depression somewhat.
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