(By
the way, this is the thumbnail picture on Amazon Prime for this compilation, but
the movie doesn’t even have a trailer for Frankenstein, which should give you
an idea of the quality of this flick.)
You
all know me. You know movie trailer
compilations are my kryptonite. I’m
especially susceptible to compilations of horror movie trailers. When I stumbled upon this compilation on
Amazon Prime, I knew I had to get my trailer on. Now, I don’t ordinarily mind compilations
that cross over various genres, particularly if they’re of the grindhouse
and/or exploitation variety. It’s just
that… well… Classic Horror Trailers is one of the most confounding compilations
I’ve ever seen.
It
all starts out just fine and dandy with trailers for such classics as Tales of
Terror, The Revenge of Frankenstein, The Unearthly, The Cyclops, Daughter of
Dr. Jekyll, From Hell It Came, She Demons, The Bride and the Beast, The Cosmic
Man, The Fiendish Ghouls, and The Raven.
Then, about twenty minutes in, there’s a trailer for… Francois
Truffaut’s Day for Night?!? What the
what?
Okay,
maybe the editor fell asleep at the wheel and one of his art house buddies
slipped it in. I mean, I guess you could consider it a cult movie.
It’s certainly far from a “Classic Horror” flick though.
After
that, it’s back to business. There’s
Queen of Outer Space (sure, it’s Sci-Fi, but there’s giant spiders in it, so
I’ll allow it), Carnival of Souls, Tarantula, Black Sunday, Black Sabbath, The
Mole People, and… High Plains Drifter?!?
I mean, I guess it could be considered a horror movie if you believe
Clint Eastwood’s character is a ghost (which is possible because of the movie’s
ambiguity), but still…
Okay,
so after that brief detour into Clint Eastwood territory, we get back on track
with trailers for The Masque of the Red Death, The Village of the Damned, Macabre,
Dr. Cadman’s Secret (AKA: The Black
Sleep), Black Sunday… wait, didn’t we already see a trailer for Black
Sunday? Yup. I’m not really complaining because who
wouldn’t want to pass up an opportunity to see the sultry Barbara Steele, but
it reinforces my theory that the editor had a case of narcolepsy when he was
cobbling this together.
That’s
followed by trailers for Caltiki the Immortal Monster, Frankenstein 1970, Black
Pit of Dr. M, Monstrosity (AKA: The
Atomic Brain), Daughter of Horror (“Not one word is spoken on screen!”), Blood
Man of the Devil (AKA: House of the
Black Death), The Vampire Lovers, and The House on Haunted Hill. We also get a second trailer for The House on
Haunted Hill, which plays up the “Emergo” gimmick. Unfortunately, it’s also around this time
where the audio gets out of synch and the actor’s dialogue rarely matches their
lips, which gets quite annoying.
Trailers
for Diary of a Madman, Flower Drum Song… FLOWER DRUM SONG?!?, My Name is
Nobody… MY NAME IS NOBODY?!?, Privilege… PRIVILEGE?!? I’ve got to stop and go
lay down to get my head straight.
Okay,
I’m back. What’s next? Mondo Balordo (a Mondo movie narrated by
Boris Karloff… Okay, I’ll guess I can accept that), The Last Wagon (a western
with Richard Widmark), Taras Bulba (a Cossack action flick with Yul Brynner),
The Projected Man (another Sci-Fi flick, but certainly closer to the theme of
the compilation than Flower Drum Song), Long John Silver (WTF), and The Big
Gundown (a western with Lee Van Cleef).
Seriously, why wasn’t this called Classic Horror Trailers with a Bunch
of Western Trailers and Other Shit Thrown in? Or, even better, just cut out all the trailers
that weren’t remotely horror related?
And would it have been too much to ask for to have the audio synched up
correctly? Jeez.
Things
wrap up with trailers for Colossus: The
Forbin Project, Hammer’s version of The Mummy, The Brain Machine, Money, Women,
and Guns (another western, but at least Lon Chaney, Jr. is in it), The Haunted
Palace, A Bucket of Blood, 13 Ghosts, Man of a Thousand Faces, Dr. Terror’s
House of Horrors, Dementia 13, The Hanging Tree (a western with Gary Cooper),
The Curse of the Faceless Man, Marnie, and The Tingler.
If
the compilation ended at about the hour mark, this would’ve probably have been
a *** or *** ½ movie because some of the trailers are really quite cool. I particularly liked seeing trailers for
familiar movies under their alternate titles.
Too bad the inexplicable use of non-horror trailers in the second hour, coupled
with the out-of-synch audio eventually did a number on my brain and drove me
batty.
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