FORMAT: BLU-RAY (REWATCH)
ORIGINAL REVIEW:
(As posted on March 31st, 2021)
It’s finally here. The clash of the titans. We’ve waited since 1962 for a rematch between the world’s two biggest movie monsters. Lucky for us fans of Godzilla and King Kong, it doesn’t disappoint. It’s not perfect. In fact, it’s probably the third best of the four “Monsterverse” movies, but still one of the best films ever made that features either monster.
The 1998 Godzilla did not work because there was no subtext. It was basically, “What if Jurassic Park was… BIGGER?” In fact, the tagline, “Size Matters” was downright cringeworthy. As if bigger always meant better. The original 1954 Godzilla was a metaphor for the nuclear devastation of Japan in WWII. There were no such metaphors in the 1998 movie. The 2014 Godzilla however had the tragedy of 9/11 running through its veins and because of that, it hit a lot harder. Even Kong: Skull Island had a lot of Vietnam imagery in there to ground it in some sort of historical/cultural relevance.
Even though it was made pre-COVID, much of Godzilla vs. Kong feels like a metaphor for the times we are living in now. When we first see Kong, he is in isolation on a fake version of Skull Island, quarantined from the rest of the world. It seems like a sweet deal at first because he can sleep in, let his beard grow out, shower when he wants, and just sort of hang out. It’s only when Kong ventures out into the world does he realize, it ain’t safe out there.
Despite the fact that Godzilla has top billing, Godzilla vs. Kong is more of a Kong movie. The main focus is on the humans getting Kong to safety while Godzilla occasionally pops up to temporarily spoil their plans. Eventually, the two square off in Hong Kong where the human villains… well… I won’t spoil it, but I’m sure you can probably guess what goes down.
The film is as much of a throwback to the adventure novels of Jules Verne as it is a love letter to giant monster mashes. The whole “Hollow Earth” subplot feels like a modern-day version of those old ‘70s flicks like At the Earth’s Core. That old timey touch is sometimes at odds with some of the updated characters (an annoying conspiracy theorist podcaster is a major player), but it’s nothing that derails the movie.
Maybe the reason why the Godzilla plotline feels skimpy is because the Kong storyline is a lot more engaging. The scenes with the little deaf girl (Kaylee Hottle), who can communicate with Kong work really well. The stuff with Millie Bobby Brown and Brian Tyree Henry is a lot less fun. Brown is kind of wasted here, which is a shame since she was one of the best parts of Godzilla: King of the Monsters. The human drama is always secondary in these things, and the film sometimes struggles with juggling the characters from the two franchises, but it’s hardly an issue when the monster mashing is top notch.
The first battle occurs in the middle of the ocean. It’s nothing too spectacular, but the scene where Kong socks Godzilla on the jaw will definitely have you cheering. The rematch in Hong Kong is a thing of beauty though. It’s one of the best monster mashes in recent memory. There’s even a moment during the final brawl that manages to be a homage to Lethal Weapon 2, if you can believe it. I never thought I’d see that in a kaiju movie, but that’s just another reason why this one is so much fun.
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